Category Archives: literature

>Finding meaning in the void

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”The flames sawed in the wind and the embers paled and deepened and paled and deepened like the bloodbeat of some living thing eviscerate upon the ground before them and they watched the fire which does contain within it something of men themselves inasmuch as they are less without it and are divided from their origins and are exiles. For each fire is all fires, the first fire and the last ever to be. By and by the judge rose and moved away on some obscure mission and after a while someone asked the expriest if it were true that at one time there had been two moons in the sky and the expriest eyed the false moon above them and said that it may well have been so. But certainly the wise high God in his dismay at the proliferation of lunacy on this earth must have wetted a thumb and leaned down out of the abyss and pinched it hissing into extinction. And could he find some alter means by which the birds could mend their paths in the darkness he might have done with this one too.”
Cormac McCarthy, Blood Meridian, 1985

As a way of finding some meaning to the void, as a way of understanding the eternal quest for the answer to the unfathomable ”Why?” question, here are some quotes of true mindfulness. If read carefully, you will see that they range from the pessimistic and hopeless to the exact opposites (well…), only to return to and end in the abyss of the void.
Pain and pleasure – life and death – indivisible.

”Brief and powerless is man’s life; on him and all his race the slow, sure doom falls pitiless and dark. Blind to good and evil, reckless of destruction, omnipotent matter rolls on its relentless way; for man, condemned today to lose his dearest, tomorrow himself to pass through the gate of darkness, it remains only to cherish, ere yet the blow fall, the lofty thoughts that ennoble his little day; disdaining the coward terrors of the slave of Fate, to worship at the shrine that his own hands have built; undismayed by the empire of chance, to preserve a mind free from the wanton tyranny that rules his outward life; proudly defiant of the irresistible forces that tolerate, for a moment, his knowledge and his condemnation, to sustain alone, a weary but unyielding Atlas, the world that his own ideals have fashioned despite the trampling march of unconscious power.”
Bertrand Russell, A Free Man’s Worship, 1903

”A vast, sepulchral universe of unbroken midnight gloom and perpetual arctic frigidity, through which will roll dark, cold suns with their hordes of dead, frozen planets, on which will lie the dust of those unhappy mortals who will have perished as their dominant stars faded from their skies. Such is the depressing picture of a future too remote for calculation.”
H.P. Lovecraft, Clusters and Nebulae, 1915

No one is accountable for existing at all, or for being constituted as he is, or for living in the circumstances and surroundings in which he lives. The fatality of his nature cannot be disentangled from the fatality of all that which has been and will be. He is not the result of a special design, a will, a purpose; he is not the subject of an attempt to attain an ‘ideal of man’ or an ‘ideal of happiness’ or an ‘ideal of morality’ – it is absurd to want to hand over his nature to some purpose or other. We invented the concept of ‘purpose’: in reality purpose is lacking.”
Friedrich Nietzsche, Twilight of the Idols, 1954

”By my thirteenth birthday I was thoroughly impressed with man’s impermanence and insignificance, and by my seventeenth […] I had formed in all essential particulars my present pessimistic cosmic views. The futility of all existence began to impress and oppress me; and my references to human progress, formerly hopeful, began to decline in enthusiasm.”
H.P. Lovecraft, A Confession of Unfaith, 1906

”But nothing good can be said of that cancerous machine-culture itself. It is not a true civilisation, and has nothing in it to satisfy a mature and fully developed human mind. It is attuned to the mentality and imagination of the galley-slave and the moron, and crushes relentlessly with disapproval, ridicule, and economic annihilation any sign of actually independent thought and civilised feeling which chances to rise above its sodden level. It is a treadmill, squirrel-trap culture – drugged and frenzied with the hasheesh of industrial servitude and material luxury. It is wholly a material body-culture, and its symbol is the tiled bathroom and steam radiator rather than the Doric portico and the temple of philosophy. Its denizens do not live or know how to live.”
H.P. Lovecraft, Selected Letters 1925-1929, p. 304

”Unless suffering is the direct and immediate object of life, our existence must entirely fail of its aim. It is absurd to look upon the enormous amount of pain that abounds everywhere in the world, and originates in needs and necessities inseparable from life itself, as serving no purpose at all and the result of mere chance. Each separate misfortune, as it comes, seems, no doubt, to be something exceptional; but misfortune in general is the rule.”
Arthur Schopenhauer, On the Sufferings of the World

”Pessimismen verkar skadebringande och förstörande endast när den stammar ur ett svagt, slappt gemyt. Det starka lifsföraktet har en tändande, eggande verkan. Igenom de högsta alstren af den isländska diktningen, i den fornskandinaviska lifskänslan öfverhufvud, sjunger en hvinande ton af hårdnackadt, desperat trots mot lifvets makt och lifvets meningslöshet – densamma tonen som en gång klang så gällt, och väl ännu är kvar, i Strindbergs verk. — Endast vår feghet, vårt ringa sanningsbegär, vår dumma sentimentalitet är det, enligt honom, som förhindrar oss att inse att lifvet har sin källa i det onda, att det onda är lifvets herre. Hvad mängden kallar ‘ödet’, ‘gud’ o.s.v., det är mörkret, Ariman, fienden till allt framsteg, allt verkligt värde, all sann förtjenst. Ariman – det är dumheten och råheten, hvilka alltid ha högsätet i denna den bästa af alla världar. Och detta förhållande är konstant af evighet, den mänskliga karaktären skall aldrig ändras, lifvets princip är evigt en, det onda.”
Vilhelm Ekelund, Det ondas religion, 1923

”Tradition means nothing cosmically, but it means everything locally and pragmatically because we have nothing else to shield us from a devastating sense of ‘lostness’ in endless time and space.”
H.P. Lovecraft, Selected Letters 1925-1929, p. 356-357

”The sinister, the terrible never deceive: the state in which they leave us is always one of enlightenment. And only this condition of vicious insight allows us a full grasp of the world, all things considered, just as a frigid melancholy grants us full possession of ourselves. We may hide from horror only in the heart of horror.”
Thomas Ligotti, The Medusa, 1991

”That cult would never die till the stars came right again, and the secret priests would take great Cthulhu from His tomb to revive His subjects and resume His rule of earth. The time would be easy to know, for then mankind would have become as the Great Old Ones; free and wild and beyond good and evil, with laws and morals thrown aside and all men shouting and killing and revelling in joy. Then the liberated Old Ones would teach them new ways to shout and kill and revel and enjoy themselves, and all the earth would flame with a holocaust of ecstasy and freedom.”
H.P. Lovecraft, The Call of Cthulhu, 1926

”I have tried to show that the Outsider is a man with an unusual and acute need for a sense of values. It has been objected that almost everybody asks himself at some time: What is life all about? And that therefore everybody is, in some degree, an Outsider. But this is only a failure to understand the spiritual condition of a man who feels a perpetual gnawing instinct for meaning, a hunger and thirst: a thirst that can be so acute that its frustration can lead to insanity. […] The Outsider has a feeling that there are certain things that are absolutely important, and that, quite literally, should occupy the mind all the time, and be perpetual standard of referens for all other feelings.
The only other man who shares this belief with him is the religious man. Religion makes precisely the same demands for meaning and purpose as the Outsider. The Outsider is therefore akin to the religious man.”
Colin Wilson, The Outsider, 1954

”Att vara outsider i ett sjukt samhälle måste vara något starkt och bra, eller hur?”
Bruno K. Öijer

”My assertion that today there is no political system, no formation, and no party whatsoever worth devoting oneself to, and that everything existing must be denied, has disconcerted many. However, this denial and non-commitment do not derive from a lack of principles, but from the possession of principles, which are precise, solid and not subject to compromise. […] In the life of today it can be appropriate, for many, to withdraw in order to settle in a more interior line of trenches, so that that which we cannot do anything about cannot do anything against us.”
Julius Evola, 1964

”The press today is an army with carefully organized weapons, the journalists its officers, the readers its soldiers. The reader neither knows nor is supposed to know the purposes for which he is used and the role he is to play.”
Oswald Spengler, 1918

”Tension without cosmic pulsation to animate it is the transition to nothingness.”
Oswald Spengler, The Decline of the West, Vol. 2: Perspectives of World History, 1923

The human phenomenon is but the sum
Of densely coiled layers of illusion
Each of which winds itself on the supreme insanity
That there are persons of any kind
When all there can be is mindless mirrors
Laughing and screaming as they parade about
in an endless dream  
Thomas Ligotti

>We had all the momentum

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Strange memories on this nervous night in Las Vegas. Five years later? Six? It seemed like a lifetime, or at least a Main Era – the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run… but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant…

History is hard to know, because of all the hired bullshit, but even without being sure of ‘history’ it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time – and which never explain, in retrospect, what actually happened.

My central memory of that time seems to hang on one or five or maybe forty nights – or very early mornings – when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L.L. Bean shorts and a Butte sheepherder’s jacket… booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got through the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change)… but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that…

There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda… You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning…

And that, I think, was the handle – that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting – on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave…

So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark – that place where the wave finally broke and rolled back.

>The world itself

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I dont regard my state of mind as some pessimistic view of the world.
I regard it as the world itself.
Evolution cannot avoid bringing intelligent life ultimately to an awareness of one thing above all else and that one thing is futility.

Cormac McCarthy’s play (which some people believe reads more like a novel) has been called “a poem in celebration of death”. I have yet to put my hands on anything by McCarthy that is nothing short of amazing, and The Sunset Limited is no exception.

However, I don’t find this play to be such an awesome literary experience as compared to Blood Meridian, for example, and that’s quite obvious since this is a play. Here is no Cormac painting pictures in your mind, here is none of that superb prose you’re used to, but here are these two men talking about the meaning and the meaninglessness of life, death, God, faith and other fairly intangible ideas, and that’s about it.

I didn’t know about this play until I found out about the movie adaptation. Starring Tommy Lee Jones as White and Samuel L. Jackson as Black, this is one tough battle for the human soul. In a way, these two dudes represent two extremes, and also, to be honest, two stereotypes. At least that’s what I make out of it. The black man being an ex-prisoner, a murderer, who found God in jail, and the white man being a professor and an atheist. That’s pretty stereotype, isn’t it? So, at times, the dialogue gets pathetic.

Black relies entirely on his faith in the Bible and White believes in Culture. Or believed, rather. Because apparently, White just tried to commit suicide. He has lost his faith in Culture and the human condition: “The things I believe in don’t exist anymore”. White has awoken to the real world around him, and the real world is evil. Interpreting the play in this way, I find it superb. It’s pretty much what I’ve been trying to say all along. Thus, I can cope with some parts being rather simple-minded.

I yearn for the darkness. I pray for death. Real death. If I thought that in death I would meet the people I’ve known in life I don’t know what I’d do. That would be the ultimate horror. The ultimate despair. If I had to meet my mother again and start all of that all over, only this time without the prospect of death to look forward to?
Well. That would be the final nightmare. Kafka on wheels.

This is Cormac McCarthy without the surrounding mythos and tension and atmosphere. Also, he has left the territories he knows best: man in nature, the nature of the beast, the nature of man. A lot of true critics say he’s not working as well without the atmosphere and stuff, but I say fuck that shit… Sure, I’m a fanboy, and highly biased, but I think my mind is clear enough to say that this is some pretty good dope for the soul. The subjects he’s dealing with are pretty much the same as always, although in a more accepted way, so to speak. I think this dialogue speaks to more people than Blood Meridian, for example. The Sunset Limited is straight to the point, while Blood Meridian is almost occult and obscure in perspective. 

As for the movie VS the play, I’d say I enjoyed the movie more (despite the bad editing). Maybe because I’m not used to reading plays and all, and I really like the acting of Tommy Lee Jones and Samuel Jackson.
As always, you decide.

Show me a religion that prepares one for death. For nothingness.
There’s a church I might enter.

>My work is not yet done / Stand for Mr. H.P. Lovecraft

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I don’t know why you keep returning to this blog since I rarely update anylonger, but about 150 unique visits a day must mean something. Are you morbid?
I will try to awaken this site for real, but the time is not yet right. Hopefully I’ll be able to write at least a couple of articles every month if all goes as planned, but don’t expect that to happen in a near future, though. Everyday life tends to get in the way of everyday hate…

On December 5 2006 I wrote this in my very first post:
”You may come to hate me for what I write because it may challenge your mind and what you believe is true”.
Sounds like something out of the X-Files, but truth is, I’ve received quite a lot of strange anonymous e-mails from hateful sionist weaklings over the years. None of them ever cared for an open debate. That’s how they uphold their lies, by lurking in the shadows. Facts can never be anti-Semitic.

Anyway, just wanted to post this to let all you freaks who keep returning to this hollow shell know that my work here is not yet done.
I’m coming back. I will return. And I’ll possess your body and I’ll make you burn.
Now Lovecraft.

‘Those who love life do not read. Nor do they go to the movies, actually. No matter what might be said, access to the artistic universe is more or less entirely the preserve of those who are a little fed up with the world.’

Time and time again I praise this magnificent essay, Against the World, Against Life, written by Michel Houellebecq. However, it seems like it’s hard to get a hold of the Swedish translation. The essay is too good not to be read, so in order for you to worship I’ll at least give you the English copy in all its PDF glory. Enjoy!
Download here.

By the way, one possible anagram for ”The meaning of life” is ”The fine game of nil”.

>A need to discover the dark

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The world of the occult and the obscure, the hidden and the haunted… It might just be a load of bollocks to most, but to me it represents the inner cravings of the human psyche. A need to discover the dark, as Jon Nödtveidt once put it.

The human mind and the core of humanity is reflected in the darkness of man, and this is what’s of interest to those who seek beyond the everyday boredom of life. If you fear the unknown, you probably prefer television before the secrets of the black arts…
Or simply put: Fantasy is more interesting than reality.

But ok, most of the writings on the left hand path are a load of bollocks. It’s pretty much new age crap. Lame as fuck. At least that’s my opinion having read or skimmed through quite a bunch of books on the subject.

However, bollocks or not, some of the texts below makes my mind wander when all hope is gone – and that’s all I crave. It’s like reading a good book of fiction. That’s how I look at most things I read. Reading academic stuff like an academic takes the fun out of reading. Most importantly, the mind must awaken and the soul must be touched, or else I could do with whatever shallow shit that’s on TV at any given moment.

So here are a bunch of basic works that I’ve found interesting in many ways. If you’re into the imagery and lyrics of the occult metal scene, you should definitely take notice.

The Egyptian Book of the Dead
The Psychedelic Experience – A manual based on the Tibetan Book of the Dead by Timothy Leary
An essay about the Tibetan Book of the Dead by Annie Shapiro
The Kaballah Unveiled
Dhammapada
The Art and Meaning of Magic (contains the Iron Maiden quotes “I Am He! The Bornless One!”)
The Doors of Perception by Aldous Huxley
The Magical Revival
The Lives of the Necromancers

For deeper dwelling I highly recommend The Doctrine of Awakening by Julius Evola. It just might deserve its own article… We’ll see about that.

Related posts about religion:
The meaning of the curse
Belief and Bloodshed: The Religion of Genocide
The Louse of Holy Name
Jehova, Christ, Lucifer and Satan
Religion and its influence on society
DSO – Obedience to the point of death
Prayin’ hard – Jim Goad
Show me a man who is good
Nietzsche – Revalutation of all values!

>The Generous Gambler by Charles Baudelaire

>Yesterday, across the crowd of the boulevard, I found myself touched by a mysterious Being I had always desired to know, and whom I recognized immediately, in spite of the fact that I had never seen him. He had, I imagined, in himself, relatively as to me, a similar desire, for he gave me, in passing, so significant a sign in his eyes that I hastened to obey him. I followed him attentively, and soon I descended behind him into a subterranean dwelling, astonishing to me as a vision, where shone a luxury of which none of the actual houses in Paris could give me an approximate example. It seemed to me singular that I had passed so often that prodigious retreat without having discovered the entrance. There reigned an exquisite, an almost stifling atmosphere, which made one forget almost instantaneously all the fastidious horrors of life; there I breathed a somber sensuality, like that of opium smokers when, set on the shore of an enchanted island over which shone an eternal afternoon, they felt born in them, to the soothing sounds of melodious cascades, the desire of never again seeing their households, their women, their children, and of never again being tossed on the decks of ships by storms.

Jacopo Caraglio, Italy, probably between 1520 to 1539.

There were there strange faces of men and women, gifted with so fatal a beauty that I seemed to have seen them years ago and in countries which I failed to remember and which inspired in me that curious sympathy and that equally curious sense of fear that I usually discover in unknown aspects. If I wanted to define in some fashion or other the singular expression of their eyes, I would say that never had I seen such magic radiance more energetically expressing the horror of ennui and of desire—of the immortal desire of feeling themselves alive.

As for mine host and myself, we were already, as we sat down, as perfect friends as if we had always known each other. We drank immeasurably of all sorts of extraordinary wines, and—a thing not less bizarre—it seemed to me, after several hours, that I was no more intoxicated than he was.

However, gambling, this superhuman pleasure, had cut, at various intervals, our copious libations, and I ought to say that I had gained and lost my soul, as we were playing, with a heroic carelessness and lightheartedness. The soul is so invisible a thing, often useless and sometimes so troublesome, that I did not experience, as to this loss, more than that kind of emotion I might have, had I lost my visiting card in the street.

We spent hours in smoking cigars, whose incomparable savor and perfume give to the soul the nostalgia of unknown delights and sights, and, intoxicated by all these spiced sauces, I dared, in an access of familiarity which did not seem to displease him, to cry, as I lifted a glass filled to the brim with wine: “To your immortal health, old he-goat!”

We talked of the universe, of its creation and of its future destruction; of the leading ideas of the century—that is to say, of progress and perfectibility—and, in general, of all kinds of human infatuations. On this subject His Highness was inexhaustible in his irrefutable jests, and he expressed himself with a splendor of diction and with a magnificence in drollery such as I have never found in any of the most famous conversationalists of our age. He explained to me the absurdity of different philosophies that had so far taken possession of men’s brains, and deigned even to take me in confidence in regard to certain fundamental principles, which I am not inclined to share with anyone.

He complained in no way of the evil reputation under which he lived, indeed, all over the world, and he assured me that he himself was of all living beings the most interested in the destruction of Superstition, and he avowed to me that he had been afraid, relatively as to his proper power, once only, and that was on the day when he had heard a preacher, more subtle than the rest of the human herd, cry in his pulpit: “My dear brethren, do not ever forget, when you hear the progress of lights praised, that the loveliest trick of the Devil is to persuade you that he does not exist!”

The memory of this famous orator brought us naturally on the subject of academies, and my strange host declared to me that he didn’t disdain, in many cases, to inspire the pens, the words, and the consciences of pedagogues, and that he almost always assisted in person, in spite of being invisible, at all the scientific meetings.

Encouraged by so much kindness, I asked him if he had any news of God—who has not his hours of impiety?—especially as the old friend of the Devil. He said to me, with a shade of unconcern united with a deeper shade of sadness: “We salute each other when we meet.” But, for the rest, he spoke in Hebrew.

It is uncertain if His Highness has ever given so long an audience to a simple mortal, and I feared to abuse it.

Finally, as the dark approached shivering, this famous personage, sung by so many poets and served by so many philosophers who work for his glory’s sake without being aware of it, said to me: “I want you to remember me always, and to prove to you that I—of whom one says so much evil—am often enough bon diable, to make use of one of your vulgar locutions. So as to make up for the irremediable loss that you have made of your soul, I shall give you back the stake you ought to have gained, if your fate had been fortunate—that is to say, the possibility of solacing and of conquering, during your whole life, this bizarre affection of ennui, which is the source of all your maladies and of all your miseries. Never a desire shall be formed by you that I will not aid you to realize; you will reign over your vulgar equals; money and gold and diamonds, fairy palaces, shall come to seek you and shall ask you to accept them without your having made the least effort to obtain them; you can change your abode as often as you like; you shall have in your power all sensualities without lassitude, in lands where the climate is always hot and where the women are as scented as the flowers.” With this he rose and said good-bye to me with a charming smile.

If it had not been for the shame of humiliating myself before so immense an assembly, I might have voluntarily fallen at the feet of this generous gambler, to thank him for his unheard of munificence. But little by little, after I had left him, an incurable defiance entered into me; I dared no longer believe in so prodigious a happiness, and as I went to bed, making over again my nightly prayer by means of all that remained in me in the matter of faith, I repeated in my slumber: “My God, my Lord, my God! Do let the Devil keep his word with me!”

THE END

>Scalped

>

The American Indian reservations are the last chance for the survival of ancient traditions and ways of life. Yet the states drive Indians off their land (most of the Western Shoshoni people’s land, for example, was long ago confiscated for underground nuclear testing), claiming they can offer them a better life in the cities. However, the Indians will enter an American society where they will be cultureless people, bereft of just about everything.

The American Indians are forced to face a very old dilemma.

At the dawn of the fifteenth century, Spanish conquistadors and priests presented the Indians they encountered with a choice: either give up your religion, culture, land and independence, and swear allegiance to the Catholic Church, or suffer all the damage that the European invaders choose to inflict upon you.

To the conquering Spanish, the Indians were defined as natural slaves. Subhumans. That’s how they wanted to use them. The British and the Americans had little use for the Indians as slaves, so to justify their particular genocide they appealed to Christian sources of wisdom: the Indians were Satan’s helpers, they were murderous wild men of the forest, they were bears, wolves and vermin. They were beyond civil life. Hence, straightforward mass killing of the Indians was the only thing to do. They needed the land, not the humans.

Today is no different. The choice still stands: Surrender all hope of continued cultural integrity and effectively cease to exist as autonomous people and prepare yourself for even worse merciless inequality in our cities, or remain on the reservation and attempt to preserve your culture admist the wreckage of governmentally imposed poverty, hunger, ill health and the endless attempts of the state trying to rob you of your land.

The poverty rate on American Indian reservations in the United States is almost four times the national average. In Pine Ridge in South Dakota (where more than 60 percent of homes are without adequate plumbing, compared with barely 2 percent for the rest of the country) the poverty rate is nearly five times greater. The conditions on many reservations are no different from conditions that rule throughout the Third World.

The suicide rate for young Indian males and females aged 15 to 24 years is around 200 percent above the overall national rate for the same age group, while the rate for death caused by alcohol – another form of suicide – is more than 900 percent higher than the national figure!
American Holocaust.

This is the setting for Scalped, a grim graphic novel created by Jason Aaron and R.M. Guéra. As described on the back of the first volume, Indian Country: ”…a gripping mix of Sopranos-style organized-crime drama and current Native American culture”.

So, life and crime on ”The Rez”, then.

Dashiell Bad Horse ran away from poverty and despair on the Prairie Rose Indian Reservation (could very well be the above mentioned Pine Ridge) some fifteen years ago, and now he’s back, only to find that nothing has changed, except for ”the glimmering new casino and a once-proud people overcome by drugs and organized crime”. It is the eve of the opening of the casino. Welcome to violence.

It turns out that Dash is an undercover FBI agent, and he ends up infiltrating this web of criminality spun by tribal leader Lincoln Red Crow, a former ”Red Power” activist now turned crime boss and the most hated man on the rez, who before he ventured into the heart of darkness was the compatriate of Dash’s mother, Gina. How’s that for a complex and totally unruly sentence? Well, that’s how I felt about this multi-layered, uncomfortable and deeply gritty story in the first place. Unruly. At times I found it hard figuring out who was who, kind of like when I read Blood Meridian the first time. But it was worth the effort of hanging on.

Scalped has its fair share of people holding on to their many secrets, almost Twin Peaks-like, and as the back story is slowly being revealed I was deeply impressed. This is so much more than fights, trashy sex, Indian pride, split families, domestic abuse, mindless violence, scalpings, shootings, revenge, drugs, prostitution, racism, lies, sorrows, drinking and gambling. Much more. The hero and the villain are as crappy and dirty as the world they live in. Here is no peace. Only the lust for vengeance, flesh, profanity and power.

I cannot agree with the Sopranos comparison, though. Aaaron has stated he had The Wire in mind when creating Scalped, and that’s more like it. Like a mixture of Oz and The Wire, maybe. Deadwood? I haven’t even seen that series yet, so throw in some Frozen River and  Gomorrah, and that should do it for most of you.