Love Flowers Best In Openness And Freedom

A meditation on the state of civilization and nature by Mattias Indy Pettersson

Edward Abbey (1927-1989) was an American author whose works reflect an uncompromising environmentalist philosophy. His love for the natural and his distrust of machines stayed with him until his death. He was buried as he had requested: in a sleeping bag, without a casket, in an unmarked desert grave somewhere in Arizona.

The title of this essay is a quote from Abbey’s ”Desert Solitaire: A Season in the Wilderness” (1968), a book that made me want to give up on civilization and retreat into nature. Too bad I’m such a self-made slave to this so called civilized living that I don’t even know how to start a fire without a lighter… I would probably not last a week in the wilderness. But I do love all things natural, it’s just that I’m super-civilized, i.e. lazy and brainless, and therefore unable to survive without my gadgets. Let’s explore why I am so stupid, and let’s start with a simple definition of the word ”nature”.

Nature: The natural world as it exists without human beings or civilization.

Our love for nature violently clashes with our love for civilization. Apparently, we can’t have both. Common sense is not common, and it takes experts to convince us of what we already know (this planet is deteriorating and so are we). Earth is our home, and what we do to it, we do to ourselves. We cannot live without Earth, but Earth will do just fine without us. Edward O. Wilson, biologist and researcher, once said that ”if all mankind were to disappear, the world would regenerate back to the rich state of equilibrium that existed ten thousand years ago. If insects were to vanish, the environment would collapse into chaos.”

Chaos: The confused unorganized state of primordial matter and infinite space before the creation of distinct forms.
Or, if we take it down a notch to a more human level:
A state of utter confusion, a total lack of order.

Civilization has been in a state of chaos for quite some time, so what else is new? Well, let’s talk about the aspect of time for a while. We’ve accomplished amazing things over the last couple of years. In the morning you get in your car, you drive through the city, you get on the subway, you scroll through your feeds on Facebook, Instagram, Twitter, and you subscribe to yet another podcast… It all seems normal, right? But it’s so far removed from every single aspect of our history. It’s so new, it’s so recent, this thing with cities and electronics, and it’s pretty far from a natural state.

Take a look at the nearest clock and understand that since this exact time yesterday, 13 million tons of toxic chemicals were released across the globe, and 200 000 acres of rainforest have been destroyed (an acre is approximately the same size as one football pitch or 16 tennis courts). Every two seconds a human being starves to death. Every day 150-200 animal and plant species are driven extinct. Every 90 seconds a child dies from a water-related disease. Civilization seems kind of bad. And even if those numbers aren’t 100 % correct at the time of writing, I think most of us understand that we’re in deep shit. The biodiversity crisis is real.

*

Lewis Mumford, historian and sociologist, defined civilization in his book ”The Myth of the Machine” (1967-70) as ”the group of institutions that first took form under kingship. Its chief features, constant in varying proportions throughout history, are the centralization of political power, the separation of classes, the lifetime division of labor, the mechanization of production, the magnification of military power, the economic exploitation of the weak, and the universal introduction of slavery and forced labor for both industrial and military purposes.”

Was Mumford cynical? Depends on whom you ask. Industrial civilization is destroying the planet and creating unprecedented human suffering. Do you agree? Maybe not wholeheartedly, but if you deny mankind’s destructive impact upon this Earth, you are not here. You are lost.

”How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless.” Paul Bowles wrote that 1949 in ”The Sheltering Sky”.
”Woe to you, oh Earth and sea, for the Devil sends the Beast with wrath, because he knows the time is short.” Steve Harris wrote this adaptation of the Book of Revelations in ”The Number of the Beast” (1982).

Conclusion? The time aspect reveals what we’ve created in just the blink of an eye. Chaos. And compared to the time span of one full second, a blink of an eye is an eternity. Lots of chaos.

Derrick Jensen, philosopher: ”We have a social system based on the use of non-renewable sources. If you take more from your surroundings than you give back, sooner or later there will be nothing left. If fewer ancient forests stand each year than the year before, sooner or later none will stand.”

This is all very easy to understand. Cities, the defining feature of civilization, have always relied on taking resources from the surrounding countryside. Civilization thrives in artificially created environments, these huge urban centers that breed a mindless mob and suck the vitality out of the countryside. Spirituality starts in the open, transfers to the cities where it loses its gist and then dies in the megacities, engulfed in the flames of materialism.

Journalist Eduardo Galeano writes that ”the majority must resign itself to the consumption of fantasy. Illusions of wealth are sold to the poor, illusions of freedom to the oppressed, dreams of victory to the defeated and of power to the weak.” These are the central themes of modern political culture. How can this be a good thing? What have we made of ourselves?

Deep down, we know. Everybody knows that we’re in great need of new, sustainable systems to make this world a better place. Everybody knows that global hunger is man made and preventable. But these monumental problems are hardly being addressed at all. At least not by those in power, the responsible leaders who are able to make a difference. The power of the grassroots campaigns and small-scale activism is simply not enough, and we seem unable to grasp the magnitude of the challenges that face us.

Man will not live forever. Man will die off, it’s just a question of when, and I say the sooner the better. We know what’s wrong with us, so the question is: do we have the bravery to confront it? I think not. Therefore, the best humanity can hope for is to eventually be crushed by nature. I wish us all a peaceful, painless death when somebody finally pushes the button and closes the switch. Maybe, in a near future, all it will take is one click.

*

”The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.”
H.P. Lovecraft, ”The Call of Cthulhu” (1928).

Technology most certainly will continue to develop at an exponential rate, as our development of sustainable agricultural and environmental issues lags behind. Some people claim that technology still lacks what separates tech from Man: a sense of morality, compassion, love, empathy… In my mind, I don’t see how we make good use of our morality, compassion, love and empathy. In my mind, we’ve forgotten everything about the soul, the spirits, and our emotions. There’s a spiritual void at the heart of our culture. Superhuman intelligence is all about the brain, and nothing about the soul, hence I see no difference between Man and Machine. The singularity is here.

Singularity: The state when humans will transcend the limitations of our biological bodies and brains. Where machine intelligence is more powerful than all human intelligence combined.

The way we use our mobile phones, activity wristbands and whatnot (or rather, the way technology uses us), tracking our every step even when we sleep, I’d say technology is already a part of our actual bodies. American terrorist and mathematics prodigy Theodore Kaczynski, known as the Unabomber (his early victims were associated with universities or airlines), was a man who lived for his idea, who was prepared to sacrifice everything for his idea, and especially everybody.

Dubbed ”the most intellectual serial killer the nation has ever produced” by one criminologist, his ideas about the evils of technology and his desire to leave civilization and escape into the wild ultimately drove him to murder. The Unabomber was active between 1978 and 1995, way before activity wristbands. Was his anti-technology philosophy sufficient to explain his crimes? Of course not. But let’s talk about violence.

Civilization is based on a rarely questioned hierarchy. Violence done by those up high to those down low is standard operating procedure, while reversing this structure is almost unthinkable. When violence from below occasionally strike against the upper elite it is regarded with shock, and stricken down hard by those in power, all according to the law of retaliation. ”And if ye will not yet for all this hearken unto me, then I will punish you seven times more for your sins.” (Leviticus 26:18). Violence has become the default of our culture.

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”The Decline of the West”, is a two-volume tome written by historian and philosopher Oswald Spengler in 1918-1923. Spengler looks upon history as an organic cycle (rather than linear) that has to pass through the stages of Birth, Development, Fulfillment, Decay and Death. In the West we tend to look upon history as something always moving forward, evolving to the better. This, according to Spengler, is the result of the Western man’s ego, thinking that everything in the past pointed to him, making him the center of the world.

The cyclical movements of history are not those of nations, states, races and events, but of High Cultures, each and every one of equal importance. So when Spengler speaks of the decline of the West, he speaks of the decline of its culture. Thus, the people live on, but their culture is destroyed. The eight High Cultures so far are the Babylonian, Egyptian, Chinese, Indian, Mexican (Mayan/Aztec), Classical (Greece/Rome), Arabian and Western (European-American). These eight cultures have all had a life span of 1000 years, and every culture has collapsed. Why should ours be any different?

Spengler uses seasons as an analogy to elaborate. Spring is the birth of religion and where the basic principles of this culture are being formed. Summer is when acts of lasting value and great accomplishments are being made (this is the peak and the cultural prime). Autumn is when all this start to break down and turn into Winter. We’re there already, in the Kali Yuga.

Political propaganda is mistaken for ideology, feelings are mistaken for knowledge, science no longer reaches certainties. There is much cultural confusion, and the arts do not speak from or to the soul of the people, but rather follow materialistic fashion with lots of changes of styles, not asking much from neither the artist nor the people. Spengler is confident that after a moment of atheism the people will turn to a renewal of religion and spiritual faith, based on the religion developed in the Spring of the culture. And so we’ve entered what Spengler refers to as the Civilization phase which is – as opposed to the Culture phase we’ve just left behind – occupied with materialism, continual wars, mass movements of people, environmental crises, rootlessness and lack of vitality, strength and intellect.

The history of High Culture is the only history that counts, according to Spengler, because pre- and post-Cultural man is simply without history: as man plunges into materialism and advocates the degeneration of his mentality, he loses his historical weight.

Charles Eisenstein writes in ”Sacred Economics” (2011) about our culture’s notion of spirit as ”that of something separate and non-worldly, that yet can miraculously intervene in material affairs”, and concludes that this divine, godlike spirit of today is simply named Money; the hidden hand that directs and controls pretty much everything in our existence.

Wu-Tang Clan has a song, ”C.R.E.A.M.”, Cash Rules Everything Around Me, which the wolves of Wall Street surely cannot relate to. Cash? Most money don’t even exist in physical form. Most money is an abstraction disconnected from the real world.

Eisenstein on the early years of the 21st century economic crises: ”Looking down from Olympian heights, the financiers called themselves ‘masters of the universe’, channeling the power of the god they served to bring fortune or ruin upon the masses, to literally move mountains, raze forests, change the course of rivers, cause the rise and fall of nations. But money soon proved to be a capricious god.

As I write these words, it seems that the increasingly frantic rituals that the financial priesthood uses to placate the god money are in vain. Like the clergy of a dying religion, they exhort their followers to greater sacrifices while blaming their misfortunes either on sin (greedy bankers, irresponsible consumers) or on the mysterious whims of God (the financial markets). Soon, perhaps, we will blame the priests themselves.

What we call deflation, an earlier culture might have called, ‘God abandoning the world’. Money is disappearing, and with it a third property of spirit, the animating force of the human realm. [Money …], so insubstantial (in the form of electrons in computers) that it can hardly be said to exist at all, yet so powerful that without it, human productivity grinds to a halt. It is as if God had forsaken the world.”

He continues:
”We do not realize that our concept of the divine has attracted to it a god that fits that concept, and given it sovereignty over the earth. By divorcing the soul from the flesh, spirit from matter, and God from nature, we have installed a ruling power that is soulless, alienating, ungodly and unnatural.”

Our children will have to pay. They are the ones being left with the pollution, the wreckage, the ruin, the debt and the collapse of human industrial civilization. Our children will look up and whisper ”no”…

*

Edward Abbey again:
”…I go outside and close the switch on the generator. The light bulbs dim and disappear, the furious gnashing of pistons whimpers to a halt. Standing by the inert and helpless engine, I hear its last vibrations die like ripples on a pool somewhere far out on the tranquil sea of desert, somewhere beyond Delicate Arch, beyond the Yellow Cat badlands, beyond the shadow line. I wait.

Now the night flows back, the mighty stillness embraces and includes me; I can see the stars again and the world of starlight. I am twenty miles or more from the nearest fellow human, but instead of loneliness I feel loveliness. Loveliness and a quiet exultation.”

So let’s gently close the switch on civilization and let nature prevail. Don’t worry, it’ll be beautiful. Everything will be fine once we are all gone.

//

This essay is part of EVERYTHING WILL BE FINE ONCE WE ARE ALL GONE, a so-called self published artist’s book, created by Björn Engberg 2017. Proofread by Hannes Rubaszkin. Photos by Björn Engberg.

Movie review: One More Time with Feeling (2016)

For me, the thing with this documentary was the trauma. The unfathomable pain, grief and suffering that a family is subjected to when their son suddenly dies at age 15. And I feel weird for saying this, but I was expecting more darkness.

Sure, there were several moments when I was clinging to my seat (the performance of “Girl In Amber” and when Susie talks about Arthur’s painting, for example), the soulcrushing grief almost ripping through the screen, but I didn’t cry. Maybe because I saw this in a theater surrounded by a bunch of other people, maybe because there were other things bothering me, like the use of the distracting 3D effect, for instance.

The musical performances both sound and look amazing, but the best parts for me are when Cave talks. And when Susie talks. The naked truth.
“What happens when an event occurs that is so catastrophic that you just change? You change from the known person to an unknown person, so that when you look at yourself in the mirror, you recognize the person that you were, but the person inside the skin is a different person.”

I wanted more of that. Instead, I felt the movie focused too much on the recording process (which I know was its sole purpose from the beginning, but still…). Cave himself says that maybe everything he’s talking about in this film is complete bullshit. I don’t care, because his bullshit sounds good to me. When he speaks, he speaks the pain. He sings the blood.

The album “Skeleton Tree” is in itself absolutely stunning. It’s like Nick Cave And The Bad Seeds teamed up with Godspeed You Black Emperor, Antony And The Johnsons and Wovenhand. Just perfect darkness. I wish this documentary had had the same impact on me. It sure was heartbreaking, but – and again, I feel weird for saying this – not heartbreaking enough.

Rated: 3.5 / 5

Movie review: Girlhood (2014)

Beautiful like diamonds in the sky.

Friendship, hardship, love and liberation seen through the eyes of teenage girls in the rough suburbs of France, where wrong sometimes need to be right. So real and powerful.

I need to quote this review by Letterboxd member Maëva in full:

”Well I’m a black girl, I’m French and I’m from a poor neighborhood, and I never felt as happy to be this girl as when I was watching this film. Seeing people that look like my friends, like me, on the big screen, as heroines… Seeing friendship, love and most importantly youth through the faces of black girls… That’s something I’ll never forget. Grand, heartfelt, beautiful, Bande de Filles is maybe not the movie of your year but it’s definitely mine’s.”

Rated: 4,5 / 5

Movie review: Ghostbusters (2016)

First and foremost: It was better than I expected. It’s not totally worthless. But…

Ghostbusters 2016 can easily be dismissed as a “lazy, uninspired rehash of pre-existing iconography”, as I read elsewhere, which is true when it comes to all Hollywood remakes/reboots, but it cannot be dismissed just because there are female leads (as I’ve read countless of times); that’s just plain stupid.

For me, this is fairly easy: There are different kinds of comedy, and comparing the reboot with the original, anyone should be able to spot the difference.

I watched the original Ghostbusters (1984) the other day and I enjoyed it like I did when I was 9 years old. Nostalgia, but even more than that: It’s my kind of comedy. The subtle humor courtesy of Egon Spengler and Peter Venkman is hitherto unsurpassed in my book. It still holds up.

32 years later, Ghostbusters is the total opposite of subtlety. It’s like that annoying, loud, attention seeking idiot in highschool trying way too hard to be quirky, making funny faces and stupid voices 24/7. STFU, please.
The humor is at surface level at best. I mean, fart jokes? Really? Or to be more precise: Queef jokes. I think “cringeworthy” is the word here. And “face palm”. And that’s just the beginning. (And I’m not even going to start with gender politics here. Or cheap product placement. Or the awful business people at Sony (stop making movies, you twats). I could write an essay, but that’s already been done.)

With that said, the ensemble cast probably made the best of a very weak script. Paul Feig fucked it up.

As for the comedy: I laughed three times (the hot dog logo, the Jaws joke and the man shrieking…), which makes it obvious. This wasn’t made for me.

Rated: 1,5 /5

Movie review: Flugparken (2014)

A decent, slow psychological drama about a sociopath about to break. The photo and editing is top notch, presenting a subtle study of a young Swedish man who in his own mind thinks he does good.

Flugparken” has been compared to “Taxi Driver”, “Falling Down” and even “American Psycho”, but even though this is more than your average Swedish movie, it’s still average.

Well worth watching for the great photo, though. And the acting is not that bad either.

Rated: 2,5 / 5

Movie review: Victoria (2015)

Wow, what an amazing achievement! One take, no cuts. 140 minutes of realtime movie magic. And in contrast to the extremely overrated ”Birdman”, this one isn’t fake, and it also has content.

Victoria, a lonely Spanish girl having spent 16 years, seven hours a day, practicing the piano, seeks adventure in the nighttime Berlin underground. Desperately naive, she decides to hang out with four shady guys and things escalate quickly. The ”Pusher” trilogy comes to mind.

Sure, it’s unrealistic at times (the story needs to move forward), but it’s still authentic. Most of the dialogue is improvised, and the camera work is fantastic.
Also, ”Victoria” makes me wanna return to the Mitte district in Berlin.

Rated: 3,5 / 5

by Mattias Indy Pettersson