culture, philosophy, religion

Ayahuasca – The Vine of Death

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Art by Alex Grey - Please visit alexgrey.com

It’s obvious that the war on drugs is not about protecting people from harmful substances. If it was, then alcohol, cigarettes, and maybe even coffee (can you imagine an office in Western society where you can’t get coffee?), would definitely be illegal. Those are highly addictive and harmful substances, but they’re still very much promoted by society. Nothing wrong with that, really, since we should be able to decide for ourselves what to do with our bodies, but the hypocrisy is fascinating, and the anti-drug propaganda is still as mindless as it’s always been. So, the war is clearly about controlling the cash flow, and ultimately controlling what people think. In other words, it’s about capitalism.

I’ve been following The Joe Rogan Experience podcast off and on since 2010, and some of the most interesting shows have been about exploring the human mind with the help of meditation, floatation tanks, weed and hallucinogens. It’s basically dealing with how little we really know about ourselves and the universe. Then there’s the Ayahuasca experience, which is taking it to the next level.

The Ayahuasca experience seems to be most rewarding when it comes to getting to terms with yourself, but it also seems to be extremely challenging and scary as hell. This is not something you do for fun to spice up your boring party, and it’s certainly not about fake new age imagery either. Faking to be spiritual is actually preventing you from being spiritual, as Chris Marcus says in episode #127 of The Joe Rogan Experience, and Ayahuasca will make you feel like shit for real, so no use in faking there.

Art by Alex Grey – alexgrey.com

The big problem, as with anything that gets exploited and hyped up, seems to be to find the real deal. People are keen to take your money, but they might have no interest in the plant or the experience, and according to those who know, this could be disastrous. Ayahuasca tourism has been in full effect for a couple of years already, and it’s probably getting worse as more and more people discover its potential.

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There’s a vast amount of information about Ayahuasca on the internet, of course. Here are some of the resources I’ve found particularly useful when trying to figure out what it’s all about:

Documentaries
Manifesting the Mind (2011) – A great introduction to psychedelics.
DMT: The Spirit Molecule (2010) – A film based on Dr. Rick Strassman’s book with the same name, where he explores the effects of DMT. His research was approved by the U.S. government.

Video podcasts
The Joe Rogan Experience #127, August 3 2011 – Part 1 – Part 2
The Ayahuasca experience of Aubrey Marcus, who went to Peru for the real deal with the shamans. I’d been reading a bit about Ayahuasca before, but this is what got me really interested.

London Real, March 18 2012 – Ready to Die
A really cool video podcast inspired by The Joe Rogan Experience.
“Brian Rose & Nic Gabriel talk about their upcoming retreat with Ayahuasca, the controversial hallucinogen and ‘Plant Teacher’. After spending 10 days on a rigorous diet of no sugar, salt, caffeine, alcohol, drugs, wheat, red meat, dairy, soy or spices, they discuss their anxiety and anticipation about the upcoming experience and how it will change their lives.”
While Joe Rogan totally rule, he might be a bit too talkative, interrupting his guests a bit too often and straying away from the subject only to return twenty minutes later, which kind of annoys me at times. Brian and Nic are quite mild in their approach, and their show is about an hour long (The JRE may last up till three hours). London Real is well worth watching!

London Real, March 28 2012 – Back from the Dead
”Brian Rose & Nic Gabriel talk about the fear, anxiety, anticipation, and excitement of their first Ayahuasca retreat in the UK and how they felt physically, emotionally, and spiritually before, during, and directly after ingesting the “Plant Teacher.” They detail the logistics of the actual ceremony and describe the sensations felt hour-by-hour as the medicine traversed their bodies and conclude with individual life lessons drawn from the experience.”

Graham Hancock on Ayahuasca and Consciousness, 
The great writer and journalist Mr. Hancock is hooked on Ayahuasca. Here he tells his story to Sonia Doubell.

The Joe Rogan Experience #195, March 13 2012
Aubrey Marcus again. This time he’s been to Costa Rica, getting crazy with Ibogaine, which is even tougher than Ayahuasca.

London Real, April 30 2012 – The Secret Bliss
Brian and Nic talking to the above mentioned Sonia Doubell about her Ayahuasca experience, meditation and more.

art, culture, religion

Wellcome to Hell

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Executioner's mask.

So you think you’re a collector? You ain’t got shit compared to Henry Wellcome (1853-1936).
I spent a few days in London recently, and on Euston Road I came across the Wellcome Collection.

Mr. Wellcome was a pharmacist, entrepreneur, philantropist and compulsive collector. At a very early age, Henry’s village was attacked by Sioux Indians, and Henry helped out taking care of the wounded people. This event sparked an interest in other cultures (usually, it’s the other way around) and already as a child he began collecting objects from other worlds.

At the time of his death he had more than a million archeological artefacts, etnographic specimens and objects of medical history, all packed in warehouses all over London. Most of the collection was sold off at various auctions, but lots of stuff was up for grabs. For example, thousands of weapons were given away, and more than six tons of helmets, shields, spears and guns were just put in the trash. Wellcome had over 600,000 volumes in his library, and more than 100,000 paintings and photographs, all donated to the Wellcome Trust.

Henry’s vision was to create a massive space to house his collections, where scientists and other professionals could come to learn about the development of medicine and such. This was supposed to be a museum of man, rather than a cabinet of curiosities.

This funerary reliquary, or container, for the bones of the deceased was made in Upper Ogowe in Gabon between 1870 and 1920. The reliquary was designed to protect ancestors from evil forces and to help the living communicate with them and to win good health and success in hunting.
This walking stick, made from whalebone with an ivory skull pommel and green glass eyes, belonged to Charles Darwin. It was made at some point between 1839 and 1881.
This German gas mask dates from the first world war.
Fifty glass eyes stare out of this case, made around 1900.

Chrisopher Turner writes in his review of An Infinity of Things: How Sir Henry Wellcome Collected the World (Frances Larson):
”Burroughs Wellcome & Co, the business that paid for this magnificent trove of historical bric-à-brac, sold malt extract, cod liver oil, cocaine and other dietary supplements in the novel form of compressed tablets (their cocaine pills, labelled ‘Forced March’, were ‘to be dissolved in the mouth every hour when undergoing continued mental strain or physical exertion’). These revolutionary gelatine-coated ‘tabloids’, were ‘so attractive in appearance’, one customer marvelled in 1885, ‘that they might almost be mistaken for sweets’ – and they sold almost as fast. The two entrepreneurs built a factory in Kent, with machines capable of churning out 600 pills a minute. The pills were then aggressively marketed to doctors and pharmacies all around the country by salesmen in frock coats with crocodile-skin bags.”

movies, music, philosophy, religion

Lucifer Rising – A Love Vision

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Kenneth Anger‘s Lucifer Rising (1972) must be one of the most ambitious independent films made to date. It took over eleven years to complete, with locations spanning the temples of Karnak and the pyramids of Giza in Egypt to Germany’s Black Forest to Stonehenge, as well as India, Iceland, and lots of locations in the United States. Knowing that Anger chose to work mostly by himself, controlling all aspects of film production (his ability to direct, light, photograph, costume, create props, edit and produce is legendary) and working with an extremely modest budget, most of it self-financed, the end result is nothing but astonishing.

The visual inspiration must be traced to Aleister Crowley‘s poem Hymn to Lucifer, which in turn recalls John Milton’s epic poem Paradise Lost (1667). Lucifer is, in both Milton’s, Crowley’s and Anger’s eyes, the representation of beauty and light, the light bearer, the morning star, and so forth… In Gnostic myth, Lucifer was/is a pre-Judeo-Christian deity, identified with the fallen angel cast out of Heaven. The Gnostics worshipped Lucifer as the Herald of the Dawn, the light preceding the sun. This myth was then suppressed by the Catholic Church.

Marquis de Sade held that it was evil that was man’s prime motivation toward pleasure. Baudelaire tried to ”extract beauty from evil”, as did Milton in Paradise Lost and Dante in The Divine Comedy. It was in this symbolic context that Kenneth Anger found inspiration, and as early as 1954, in Inauguration of the Pleasure Dome, Anger explored different psychedelic states of consciousness. In a way, Lucifer Rising is ”with its themes of demonic possession expressed through the loss and recovery of psychic and physical power” (Alice L. Hutchison, Kenneth Anger) the ultimate of Anger’s manifestations, sort of stating that all these themes – the journey, the quest, the beauty, the darkness, the sublime and the psychedelic experience – are related. It’s the perfect combination of everything and nothing – showing another existence different from rational awareness. It’s like dreams that ”attempt to bring order to the unruly emotions and desires repressed by the social constraints of everyday life” (Hutchison). Anger himself consider Lucifer Rising to be the one film, alongside Scorpio Rising (1964), that came closest to his vision.

Robert Haller: ”To watch the film is to become intensely aware of the kinds and qualities of light, of its presence and absence, of its force.”

Before the film’s completion, Anger had this to say:
”The film Lucifer Rising is my answer to Scorpio Rising – which was a death mirror held up to American Culture. […] I call it a love vision, and it’s about love – the violence as well as the tenderness… […] Lucifer is the Rebel Angel behind what’s happening in the world today. His message is that the ‘Key of Joy is Disobedience’.”

When done filming, but not editing:
”Frankly, it’s taken me into some very strange corners… You see, I didn’t think it was about demons or hell, really. I was trying to make a film about the Angel of Light. That was his first name. The Son of the Morning, you see. But now I almost believe what the Bible says.”

Kenneth Anger’s interest in sound led to experimental collaborations with Mick Jagger (creator of the soundtrack for Invocation of My Demon Brother (1969)), Marianne Faithfull (who starred in Lucifer Rising), Jimmy Page (who began composing for Lucifer Rising, but got fired) and the infamous Bobby Beausoleil (whose music appeared in the final re-edited version of Lucifer Rising). Anger argued that rock’n’roll embodied the rebellious spirit of the times.

As for Lucifer Rising, Anger had 17 hours of film and had been using the film-editing facilities in the basement of Jimmy Page’s Victorian mansion in London to trim it down. One night Anger was ordered by Page’s girlfriend to leave the house. No reason was given for his eviction, and his work was terminated, and so was Jimmy Page’s work on the soundtrack. The media reports of these events led to Beausoleil contacting Anger about making music for the film. Since Beausoleil was held captive in prison for his involvement with the Charles Manson murders, the instruments were delivered by mail order and Anger provided him with the time-sheet for the film. The result is amazing. That Bobby Beausoleil’s last name is roughly translated to ”beautiful sun” is yet another detail related to the concept of light.

 

Kenneth Anger made his first movie when he was nine years old. When Scorpio Rising was released in 1963 it became the most viewed underground film in history. Anger still didn’t have enough money to truly realize his grand visions, and was unable to complete most of them. ”Money has always been a problem, and it made me give up on a lot of projects”. One of these movies that to my knowledge is still unfinished is a portrait if his friend Elliot Smith. He also made plans for a documentary about the German colony Nueva Germania in Paraguay, which was founded by Nietzsche‘s sister Elisabeth Förster-Nietzsche. According to Anger the place holds a lot of inbreds…


Still to this day, at the age of 85, Anger refers to himself as a thelemite, a follower of the spiritual philosophy Thelema developed by Aleister Crowley. In the 1940’s, Anger started to collect Crowley books and manuscripts, and obviously his collection is huge (probably not as huge as that of Jimmy Page, though, whose collection is rumoured to be the second largest in the world. Page also owns Crowley’s former residence at Boleskin, Loch Ness).

By the way, the Jimmy Page soundtrack is available again, remixed and all that, along with other soundtracks on this beautiful album:

This article is inspired by Alice L. Hutchinson’s book Kenneth Anger, as well as the interview with Kenneth Anger by Carl Abrahamsson.

movies, religion

Great movies of the 80’s: Altered States

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Some say that Altered States (1980) is the ultimate trip movie. Hallucinogenic drugs that bring about apocalyptic biblical visions rule, but I must admit that the magic won’t last until the very end. It’s actually damned cheesy. But hey, this is the eighties, and if you know your Bible, the message is quite cool. Ultimately, it’s about the death of God and the origins of man.

And I beheld, and, lo, in the midst of the throne and of the four beasts, and in the midst of the elders, stood a Lamb as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth.
Revelation 5:6

Yes, the seven-eyed lamb appears in the first vision, and it takes off from that.

This film is kind of a variation of the old ”mad scientist” theme, with Dr. Jessup using himself as a guinea pig for the psychedelic experience. He’s hallucinating in his isolation tank, and it all connects to the ecstatic religious visions he had as a teenager, the loss of his father, and thus the loss of faith. He wants to dig deeper and seek the outer limits of consciousness, and so he travels to Mexico to take magic mushrooms with the shamans. That’s when the real trip begins, back to the roots, literally speaking. The dude is genetically regressing to a pre-human being, ultimately regressing into the void of existence.

Despite the flaws, Altered States is well worth watching, mostly because it’s so damned weird. The effects are awesome (the 3D youth of today will not agree, but that’s a degenerated generation), the soundtrack is freaky as hell, and in combination with the message this makes for quite an astonishing trip.

The film is based on the novel with the same name by Paddy Chayefsky, but also on the experiences of scientist, writer and drug user John Lilly, perhaps most known for inventing the sensory deprivation tank.
Read this great interview with the man for an even more extensive movie experience.

When being asked about orthodox scientists’ accusations of Lilly’s unscientific practices, Lilly gives a great answer:

I was brought up to divide science into theory and experiment, each guiding the other. The pure experimentalists who attack me lack good theory, but the theorists haven’t done the experiments. There are really three departments to science: experiment, theory, and experience. Experience is the part that doesn’t get into the scientific journals.

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OTHER GREAT MOVIES OF THE 80’s:
Manhunter (1986)
A Short Film About Killing (1988)
Threads (1984)
The Quiet Earth (1985)
The Thing (1982)
The Plague Dogs (1982)

links

Ny Moral on Facebook

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I just started a Facebook page for Ny Moral. I don’t want to clutter this site with tons of links to youtubes, articles, photos etc, so I’ll just do that on Facebook instead. I hate that Timeline shit, though – the definition of cluttered crap.

Click LIKE if you want to come along for some good music, bad politics and mindbending psychedelia. Sharing is caring.

As for the blog, I’m planning to do some texts about Alejandro Jodorowsky, Oswald Spengler and Watchmen, so stay tuned, freaks.

literature, MMA, philosophy, religion

Blood and Time at the End of the World

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The Temple of Kukulkan seen from the Temple of the Warriors.

—
Chichen Itza, northern Yucatan, Mexico

“Behind me, towering almost 100 feet into the air, was a perfect ziggurat, the Temple of Kukulkan. Its four stairways had 91 steps each. Taken together with the top platform, which counted as a further step, the total was 365. This gave the number of complete days in a solar year. In addition, geometric design and orientation of the ancient structure had been calibrated with Swiss-watch precision to achieve an objective as dramatic as it was esoteric: on the spring and autumn equinoxes, regular as clockwork, triangular patterns of light and shadow combined to create the illusion of a giant serpent undulating on the northern staircase. On each occasion the illusion lasted for 3 hours and 22 minutes exactly.
(Check video here)

[…]
I passed by and made my way to the foot of the steep steps that led up to the adjacent Temple of the Warriors.
At the top of these steps, becoming fully visible only after I had begun to ascend them, was a giant figure. This was the idol of Chacmool.

[…]
Weighing on my mind was the unforgettable fact that the ritual of human sacrifice had been routinely practised here in the pre-Colombian times. The empty plate that Chacmool held across his stomach had once served as a receptacle for freshly extracted hearts. ‘If the victim’s heart was to be taken out’, reported one Spanish observer in the sixteenth century, ‘they conducted him with great display … and placed him on the sacrificial stone. Four of them took hold of his arms and legs, spreading them out. Then the executioner came, with a flint knife in his hand, and with great skill made an incision between the ribs on the left side, below the nipple; then plunged in his hand and like a ravenous tiger tore out the living heart, which he laid on the plate…’

What kind of culture could have nourished and celebrated such demonic behaviour? Here, in Chichen Itza, amid ruins dating back more than 1200 years, a hybrid society had formed out of intermingled Maya and Toltec elements. This society was by no means exceptional in its addictions to cruel and barbaric ceremonies. On the contrary, all the great indigenous civilizations known to have flourished in Mexico had indulged in the ritualized slaughter of human beings.

Slaughterhouses

Villahermosa, Tabasco Province
I stood looking at the Altar of Infant Sacrifice. It was the creation of the Olmecs, the so-called ‘mother-culture’ of Central America, and it was more than 3000 years old. A block of solid granite about four feet thick, its sides bore reliefs of four men wearing curious head-dresses. Each man carried a healthy, chubby, struggling infant, whose desperate fear was clearly visible. The back of the altar was undecorated; at the front another figure was portrayed, holding in his arms, as though it were an offering, the slumped body of a dead child.

The Olmecs are the earliest recognized high civilization of Ancient Mexico, and human sacrifice was well established with them. Two and a half thousand years later, at the time of the Spanish conquest, the Aztecs were the last (but by no means the least) of the peoples of this region to continue an extemely old and deeply ingrained tradition.

They did so with fanatical zeal.

It is recorded, for example, that Ahuizotl, the eight and most powerful emperor of the Aztec royal dynasty, ‘celebrated the dedication of the temple of Huitzilopochli in Tenochitlan by marshalling four lines of prisoners past teams of priests who worked four days to dispatch them. On this occasion as many as 80,000 were slain during a single ceremonial rite.

The Aztecs liked to dress up in the flayed skins of sacrificial victims. Bernardino de Sahagun, a Spanish missionary, attended one such ceremony soon after the conquest:

‘The celebrants flayed and dismembered the captives; they then lubricated their own naked bodies with grease and slipped into the skin … Trailing blood and grease, the gruesomely clad men ran through the city, thus terrifying those they followed … The second-day’s rite also included a cannibal feast for each warrior’s family.’

Another mass sacrifice was witnessed by the Spanish chronicler Diego de Duran. In this instance the victims were so numerous that when the streams of blood running down the temple steps ‘reached bottom and cooled they formed fat clots, enough to terrify anyone’. All in all, it has been estimated that the number of sacrificial victims in the Aztec empire as a whole had risen to around 250,000 a year by the beginning of the sixteenth century.

What was this manic destruction of human life for? According to the Aztecs themselves, it was done to delay the coming of the end of the world.”
—
The above text is an excerpt from Fingerprints of the Gods by Graham Hancock.
—

Joe Rogan of UFC fame has a brilliant podcast, and one of the most interesting so far featured Graham Hancock. Check it out here: The Joe Rogan Experience – Episode #142

Other podcasts of interest:
The JRE – Episode #170 Michael Ruppert (check the Collapse post for more info)
The JRE – Episode #173 Peter Joseph from the Zeitgeist movement
The JRE – Episode #127 Part 1 Chris Marcus about Ayahuasca
The JRE – Episode #127 Part 2 …and a bit about DMT as well

Also check The Joe Rogan Database for a quick overview of all the podcasts. At the time of writing there are 192 podcasts to browse through. Phew… Too much blood, not enough time.

by Mattias Indy Pettersson