>Alpha Erection

>Originally posted December 10, 2006.



Holy hell, what a glorious evening, this Friday 8th of December 2006!
Fuck “No Fun”, this was the total opposite – total fun.

The Segerhuva scientists had arranged this evening in the name of noise (no, not Melt Banana/Boredoms-style as the local fuck-ups (journalists) wrote in Metro), and we were honoured by the presence of the almighty Government Alpha straight out of Japan.

The venue, Sugarbar at Kammakargatan in Stockholm, was the smallest ever (my living room is twice the size), and when 30 people had arrived the place was overcrowded. Cool thing, since you were forced to be in the front no matter what. Hail bar gigs!

Sewer Election and Treriksröset (Dan and Tommy) were up first, Tommy introducing his companion as “Sewer Erection”, which was quite funny knowing that the local fuck-ups (journalists) wrote “Sewer Selection” in the paper.

Unfortunately no sound at all (to my knowledge) was heard from Dan’s equipment due to speaker failure, so Tommy’s stuff was all we could hear. Dan had brought these cymbals and metal sheets and various metal junk all clamped together, and that is what he used – banging that shit hard straight into the table. Being in the front it was fucking dangerous with that metal shit flying around. If he´d hit me in the face I would’ve killed him. But it was cool as hell at the same time, and I immensely enjoyed it.


Noise gigs need to be more on the physical side or else you’ll yawn yourself to death. This gig was a perfect example of how to keep the audience on their toes, always paying attention to what was going on so you’d be ready when that kamikaze cymbal came flying through the air aimed at your throat… Bring danger back into noise!


The gig was aggressive without being macho (hello Macronympha!) and in the end Tommy freaked out screaming like a father figure and hitting his pedals with all he had. Dan destroyed that poor table. Government Alpha stood by my side screaming. It was all good, but the sound failure was a big disappointment.

Yasutoshi Yoshida (who is Government Alpha) had brought a friend and his stage name was Montage. It was kind of funny seeing him unload his super high tech hardware from heaven when Sewer Election/Treriksröset had used just a minimum of equipment, but the guy’s japanese… Nuff said.


He started his set with some rumbling dark loops which sounded quite ok. He added some speech samples (in japanese) and continued this way for a while. Nothing spectacular, really. It seems he had problems with his mic, and all I could think of (like with the SE/TRR-gig) was that mic not working properly and it distracted me from hearing what was actually going on. Fucking bad. At gigs like this the sound is extremely important. It should be insanely loud and it should – above all – work! Unfortunately the sound was way too low, and I even stood in the front close to the speaker.

Montage didn’t impress me that much, so I looked forward to GA blowing my brains out instead. And for sure he did! This mini-man was totally amazing! I’d like to put one thousand exclamation marks here, because he was the absolute shit!

From the first shriek he was totally into it, mastering the controls like a rocket scientist, producing the harshest and most varied noise I’ve heard in a long while. Fortunately the microphone worked this time so he yelled his lungs out rock’n’roll-style: “ONE TWO, ONE TWO THREE FOUR!!” and then BANGBANGBANG full throttle chaos.

The small crowd in this jam packed little venue went berserk, screaming, fistbanging and worshipping. Tommy did the only reasonable thing and picked up one of the speakers, lifting it up and down like a fucking Samson-maniac. Palle from Sanctum helped him out and together they held this speaker on their shoulders while Government Alpha churned out the most vicious noise known to swedish ears. I was laughing out loud because it was just so damned good.

The gig lasted ten minutes. Pure genius.


Despite the weak sound, this evening was pure fun. Cool people showed up and the mood was perfect. No bitter, grim-looking neonazi faggots (well, I bet some of them were there…), just cool people having a good time.
Because let’s face it: Those neonazi faggots tend to look upon industrial/noise/extreme-gigs as some sanctuary; the only place where they dare to raise their right thalidomide child arms in a nazi salute in “public”. Pathetic cunts, I just laugh at your so called “conviction”, your feeble attempt to instill fear. Go home and comb your hair that you’ve dyed black and cut in the formation of a cunt, listen to your weak synth shit on your weak stereo and just wank off in front of your weak computer. Hitler would’ve pissed on your worthlessness and lack of pride.

Mind you, I find it totally ok sieging heil and all that crap when it’s done for fun, but when those priceless fucks who claim to be true do it on gigs I just wanna fuck them up the ass with a jack hammer.

The European scene has its nazi shit, the American scene has its serial killer shit… Japan, on the other hand, just blast without no lame image. And that was what this evening was all about; no lame image – just blast. Punk as fuck.





>McCarthy’s The Road

>Originally posted December 07, 2006.

Every now and then you come across a genuine masterpiece. It could be everything from a goddamn silly ice cream (hail Piggelin!) to some amazing album/movie/ painting/whatever. This time, for me, it was a book. It’s a true rarity to find such a masterpiece as The Road by Cormac McCarthy.


Armageddon. The final doom. Post-apocalypse. The sky bleeds ashes, wastelands prevail, all fish and birds are long gone dead and the sun, when it occasionaly shows, is bleak. The world is coming to an end, finally.

In the midst of chaos, confusion and despair we find an unnamed father and his son making their way through this barren earth. They follow the road that leads to the sea. People they meet are only after their flesh. Cannibals in the most vicious sense. The father and son have only themselves to rely on. That and their great love for each other.

Because in spite of all darkness and death, this is a story about love and it’s truly heartbreaking. The amazing composition, the multilayered set-up, the extraordinary prose, is what makes this novel the best book in 2006.

I travel by train for almost two hours every day. That makes for a lot of reading, and I’m thankful for that, because I read The Road in just a couple of days and it completely devoured me. So much pain, so much darkness, yet so much love. Perfect.

As one reader wrote:

“Don’t read this book on an overseas flight. You’ll find yourself, as I did, standing in the back of the cabin weeping.”

When reading The Road I think of demons. I think of Shogun Assassin and I think of classic russian movies like Stalker combined with modern, intellectual remakes of seriously dumb stuff like Bronx Warriors and Mad Max.

And when reading I always have this gut feeling, this dark brooding feeling, that somebody’s gonna make a movie out of this and I’m gonna have great expecations and it’s gonna suck so bad because there’s no way in hell that a movie can make this book justice. No way.

The Road deals with universal themes such as death, human nature and the condition of the world we’re in. It’s classic stuff, and if you know your Bible and shiver with delight when confronted with Old Testament quotes you will enjoy this for sure. This is doomsday reading and the clocks stopped at 1:17… A reference to John 1:17 in the Book of Revelations, they say.

This is the first book I’ve read by Cormac McCarthy. I’m dying to get my hands on his other ones, call in sick, disconnect the phone, shut off the computer and just plunge into darkness once more.

Recommended soundtrack when reading:
Godspeed You Black Emperor

>Bad Brains – The baddest!

>Originally posted December 06, 2006.


They weren’t meant to be. They were the ultimate contradiction in terms.

Bad Brains – black as night and bad as hell. They formed in Washington DC in 1977 as a jazz fusion ensemble, but then out of the blue pioneered the whole american hardcore scene being the fastest and most extreme band for years to come. Even today their old stuff kicks the shit out of most bands’ so called ‘hardcore’.

The intensity of their shows is still unmatched.
Proof:
Click here to watch the Live at CBGB 1982 DVD in its entirety online!
It’s so good you’ll be a complete fool forever if you don’t buy the DVD right away.


>Bon Scott – Saviour of The Soul

>Originally posted December 06, 2006.

Haha, just look at this man! Look at his jeans way up high, so tight that his balls seem to be gasping for air…
This dude is on to something. Or was on to something, since this is the great Bon Scott who died rock’n’roll style in february 1980.

So what’s that got to do with anything? I almost never listen to AC/DC anyway.

Well, me and my good friend Micke (his online keyboard warrior name is WorkKills) had a very serious talk the other day. We discussed deep shit like how to gain control and freedom in your life, how to cultivate one’s independence, totally controlling your own time, living the life you really want to live, freeing your soul… The biggest problem here mainly being that we both work 8 hours a day. Fucking bummer.

What are you prepared to sacrifice? You have to sacrifice something valuable in order to gain something else, roughly speaking. Are you willing to live your life in constant poverty because you quit your job? Are you willing to leave your loved ones, your wife, your best friends, to live like a hermit… all for the sake of freedom? What about ending your life?
ACTA NON VERBA!

Stuff like that.

It was a good discussion and it was serious as hell. We didn’t reach any mindbending conclusions, but it’s really great to have these kind of talks once in a while. It makes you think even harder.

The best thing though was when Micke put on this AC/DC record and everything just fell into place. So perfect, so simple and so true. And so cheesy in a way.
But the fact is that the very essence of what we’d been talking about was put into words with such ease by the man with the tight trousers… Bon Scott put it this way:

My Daddy was workin’ nine to five
When my Momma was havin’ me
By the time I was half alive
They knew what I was gonna be
But I left school and grew my hair
They didn’t understand
They wanted me to be respected as
A doctor or a lawyer man
(But I had other plans)

Gonna be a rock ‘n’ roll singer
Gonna be a rock ‘n’ roll star
Gonna be a rock ‘n’ roll singer
I’m gonna be a rock ‘n’ roll,
A rock ‘n’ roll star

Well I worked real hard and bought myself
A rock ‘n’ roll guitar
I gotta be on top some day
I wanna be a star
I can see my name in lights
And I can see the queue
I got the devil in my blood
Tellin’ me what to do
(And I’m all ears)

Gonna be a rock ‘n’ roll singer
Gonna be a rock ‘n’ roll star
Gonna be a rock ‘n’ roll singer
I’m gonna be a rock ‘n’ roll,
A rock ‘n’ roll star
(I hear it pays well)

Well you can stick your nine to five livin’
And your collar and your tie
You can stick your moral standards
‘Cause it’s all a dirty lie
You can stick your golden handshake
And you can stick your silly rules
And all the other shit
That you teach to kids in school
(‘Cause I ain’t no fool)

The last verse pretty much says it all.

I’m not saying we’re dreaming of becoming rock stars, that’s not the point at all. What’s he really saying? Just listen to the words, the way he sings these last lines and then worship forever.

The essence of it all? Well, maybe something like do what thou wilt, do your own thing, do it yourself, don’t believe the hype… The standard clichés. You know all that crap. But why the fuck do you still sit around doing nothing then? Think about that instead.

Sometimes all you need is a dude like Bon Scott, telling it like it is, and then things seem just a tiny bit better.

R.I.P.

(The song is called Rock ‘N Roll Singer and is from their second album T.N.T. (1975))

by Mattias Indy Pettersson