All posts by Indy

>Prayin’ hard – Jim Goad

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“Let me get this straight – your religion preaches that two thousand years ago, a Middle Eastern virgin was impregnated by a ghost. And the spawn of this ethereal sperm grew up to walk on water and multiply bread loves and heal the sick and raise the dead and cast out literal demons. And this Love Child wasn’t just any ordinary spud, it was God incarnate who willingly submitted to a bloody S&M crucifiction to pay for OUR sins, when it would have been much easier (and less messy) if He’d merely made us sin-proof in the first place. And this Miracle Baby, son of a (cough) virgin, rose from the dead after three days and now gets very upset when heavy metal musicians slander His name. And Moses parted the Red Sea, Noah had an ark, God rained frogs on Egypt, and Joshua made the sun stand still. And even though Adam and Eve only gave birth to two boys (one of whom killed the other), the human race somehow fruitfully multiplied while avoiding the sin of incest. And remote Polynesian islanders will boil in molten lava eternally if they don’t embrace the gospel, even if they’ve never had a chance to hear the gospel. And the God who gave you a weenie will also zap you with a lightning bolt if thou darest toucheth the weenie which he didst create.
Is that it? Did I miss anything? Is this the horseshit you’re trying to peddle me? That’s not the Greatest Story Ever Told, it’s the craziest. And you tell me perhaps a third of the people on earth believe this fairy tale? Many of them are willing to kill or die for it? That’s frightening. You’re sure this isn’t some sort of sci-fi novel or supermarket-tabloid conspiracy theory?”

Jim Goad, The Redneck Manifesto

>Interview: Jex Thoth

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I reviewed the magical debut album from the mighty Jex Thoth in the latest issue of Sweden Rock Magazine. I rated it 9/10 and got to do a short Q&A with Jex Thoth herself. Here are her words.

I hear some Amon Düül 2 in your works. Have they been a major influence? Other musical influences?

Amon Düül 2 is a huge influence on us, as is Amon Düül 1. We are also influenced by many classic psychedelic bands, classic doom bands, krautrock, and even some pop music. My personal influences are Slapp Happy, Glenn Danzig, Kate Bush, T2, Blue Cheer, Can, and Catherine Ribeiro. This band shares more influences collectively than any other band I know.

How important is symbolism to Jex Thoth?

Symbolism weaves its way in and out of our lyrics, but overall, we like to keep things fairly direct.

What’s your agenda? Why are you here doing what you do?

I do what i do because it’s what I do. I’d be doing this whether or not anybody cared. It’s nice that people do, though. I plan to recuit all of those I can recruit, and shake the souls of those I can’t.

Do you have a theme or message that is present in everything you do as a band?

Man lives in the sunlit world of what he believes to be reality, but there is, unseen by most, an underworld – a place that is just as real, but not as brightly lit – a dark side.

Can you name some non-music influences, like authors, directors, poets and so on?

There are a number of things that influenced me during the writing and recording of this record. One of them being the harsh weather conditions we endured during recording. I was also watching a lot of Jan Svankmajer films at the time, I love his films on so many levels. His worlds mix live action with sculpture, stop motion animation, puppetry, animals and so much more. Not only is he an amazing filmmaker but an outstanding visual artist as well. All of his works are super imaginative, dark, and surreal, with a clear message.

How come you ended up on I Hate Records?

Ola from I Hate reached out to us via our Myspace, and we were all very excited at the chance to work with him – we are all fans of the label.

Why the name change, from Totem to Jex Thoth?

There were already several other Totems, and in between the two recordings, we had a major lineup change, with Ezekial Blackouts moving overseas and Silas and Johnny Dee joining the lineup. At this time, it became obvious to me that we use my name, because I wanted a name that reflected my leadership of the band. All of the members have contributed tremendous ideas that can be heard on the record, but ultimately, it is my vision we execute.

When performing live, do you do anything special on stage or is it like watching an ordinary band?

There is nothing ordinary about this band, but we don’t enter on horseback or travel with a guillotine if that’s what you’re asking.

What are your interests besides music?

I like to garden, I like to build things, and I enjoy puzzles.

What about the song Son of Yule? What can you tell me about that particular track?

Silas wrote this one, it deals with closed mindedness and an unwillingness to change. It’s one of my favorite songs on the album, it’s a lot of fun to sing and I was able to take a lot of risks – vocally – with this one.

And what about the Equinox Suite? Any comments to that song?

This came about organically, as several of the pieces grew into one. My hope is that everyone listens to the album as I intended, from start to finish, but this is most important in Equinox Suite. This album wasn’t meant to be listened to on ‘shuffle.’ However, I do feel that each phase of the suite stands on its own, and that is why they are indexed individually.

What about the cover art for the album? What’s your relationship to Albert/Reverend Bizarre?

Albert Witchfinder liked our band and offered to draw the cover. Of course we were flattered and psyched. I love how it turned out. We also love Reverend Bizarre.

Finally, how would Jex Thoth have sounded if you’d skipped the drugs and alcohol?

Just as brutal but maybe more punctual – ha ha ha!

Now listen to The Banishment and then go buy the album.

>Fucked by the mainstream – Part 3

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In the mainstream media you have people who’ve applied to the rules and who know that there are certain things that are not proper to say. They’ve probably been filtered out since their education days. A large part of education is actually based on understanding that there are certain things that are not proper to say and to think. If you do, if you’re too independent, you won’t go very far. That, and to be able to pass some exams after you’ve memorized some “good books” they’ve thrown at you, is education. All according to plan.
Perhaps you’ll learn what wine to drink as well.

The result of this filtering process is an uniformity of ideology in the intellectual culture. The people in the mainstream media are pretty much in agreement, and they believe what they are talking about. That’s very important, because it’s very hard to believe one thing and say another. So these people truly believe what they are saying, and thus they are very obedient to the system. They serve power. Of course, they don’t like to hear that. They want to hear that they question power, which they sometimes do – but only within that chosen framework.

Mass media’s main function seems to be to marginalize as large a part of the population as possible, so they don’t interfere with decision-making. That’s why you get shitty sitcoms, soap operas that never end, endless exploitation articles about Jozef Fritzl, shows about babies with five heads etc etc… Crap that makes you occupied, cut away from thinking for yourself.
Sure, we have media that express different views than those of the business community, but they cannot attract capital, so they won’t live that long. The business community have no problem with that (some Rolex ads and they’re done) and thus they have the real power. Of course, people are interested in “real” issues and would hopefully read Stockholms Fria, Oskorei and Counterpunch, for example, if they knew about it and weren’t distracted by that crap on TV, but there’s no market for that kind of journalism. The market and the money are within the business and entertainment industry, the capitalist industry. Issues that matter to working people are no fun. And again, writing stuff to educate the masses to overthrow the people in power is not good for business, so no money there either. Dissident voices in dissident media are not able to survive in this arena where cash is king.
Still, the dissident voices won’t ever shut up.


For more info on this topic you might want to read Understanding Power by Noam Chomsky.
It’s available in Swedish here and in English here.

Also check these YouTube videos:

>Fucked by the mainstream – Part 2

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These are the cold hard facts: The major media units are huge corporations dictating what should be discussed within a certain framework. These institutions naturally work in their own interests, thus dissident opinions have no say here because that would undermine the corporation’s capital interests. The smaller media units will have to adapt to the agenda set by those in power, because they lack resources to act differently.

Knowing this, let’s look at the sources reporters use. Since they work within this framework, the sources they use are not unbiased expert sources, but rather sources that represent already established opinions and that work in their (the corporation’s) own interests. Many times the reporters are not even aware of how this works, due to the illusion of open debate mentioned in Part 1 (only pre-defined opinions within chosen subjects within a chosen framework are allowed).
If you chose to go outside these established opinions you will face major resistance. You will realize that the level of evidence requested all of a sudden is extremely high. If you’re reporting about vested interests, you hardly won’t need any verification at all. If you’re writing about atrocities carried out by the guerilla, all you need is one hearsay witness for confirmation and then you’ll be able to write endless shitty articles about it without anyone questioning you. If you want to write about torture carried out by an American military officer you’ll need videotapes, tons of witnesses and a whole goddamn mountain of evidence to back it up – or else you won’t get through in major media. One quote from a “high U.S. government official” is good as reliable evidence, while ten quotes from a dissident voice are worth nothing. Knowing this, and knowing what it’s like to work where things have to happen fast, it’s easy to understand why most journalists choose the easy way out. They have neither the time nor the pride to fuck with those in the major league. Naturally, the big boys won’t even let you do that because that would be undermining the core of the corporation. Also, a journalist simply cannot afford to lose his job…

Major media consists of a few mega-corporations and when it comes down to it it’s all about increasing profits and market shares. That’s how corporate capitalism works. It’s nothing new, it’s nothing odd. That’s the way it is. And if you’re not in there to play the game, to help your corporation to increase profits and so on, then there’s no place for you in the game. You’re voice will not be heard if you’re raging against the system. Simple as that.
You’ll have to take your work elsewhere, and sometimes not even the alternative media will be good enough. When dealing with certain subjects you’ll be forced to take your work underground, which is exactly quite the opposite of what society should want you to do, had it practised what it preaches: freedom of speech, democracy and justice for all.
Sadly, that’ not how it works and ultimately this false representation of virtues and moral will end in conflict.

>Fucked by the mainstream – Part 1

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What ways are there for dissident voices to speak up and be heard? In mainstream media there are none.
Dissident voices equal a menace to society, therefore media only allows discussion within a framework that serves the interests of dominant institutions. This means we have a very limited spectrum of debate where media takes its own chosen subjects and then presents a range within that framework “open for debate”, when in reality these debates only enhances the strenght of their pre-defined assumptions. This makes us think that everything within that chosen framework represents the whole possible spectrum of opinions. We think we can debate just about everything, and it looks like that as well, but it’s nothing but a scam. The subjects are chosen by those in power and only opinions that fit within that specific framework are allowed. It’s simply a debate among people who are admitted into mainstream discussion.

So how does this work? It’s pretty easy to see. Institutions work in their own interests. If they didn’t, they’d be of no use for anyone. They would be totally meaningless in the long run.
Media consists of a few major mega-corporations who set the framework for what should be talked about, and then the smaller media units simply have to adapt to what the major media units focus on. Only major media have the resources, the money and the staff and the “credibility”, so they set the agenda.

Now… Corporations have a product to sell (the audiences) and a market they want to sell it to (the advertisers). So, the major newspapers are selling its readers to other businesses, and since the major media units consists of very privileged readers who in fact are the elite and political class that makes decisions in our society, it’s fairly easy to see what picture of the world they are presenting. To make things work, to make these huge corporations successful, that picture will have to satisfy the needs and interests of the buyers, the sellers and the market.
As already stated: Institutions must always work in their own interests, or else they won’t work at all. Of course there’s no place for dissident perspectives in such a closed system.

(These articles will be very much inspired by the thoughts of Noam Chomsky)

>Music that matters: Dystopia

>Mankind, to whom are you kind? The peace that you mold is a lie
Before I’m paid, the system comes and takes half away, for bombs someday
See the world through sunken eyes

Exactly eight years ago I praised the band Dystopia when reviewing their album The Aftermath in Close-Up Magazine #38 (April 2000). I wrote something like “if you send me a tape I’ll send it back to you filled with Dystopia stuff”. I got one tape, from Jonn Jeppsson, now a prominent writer for Close-Up. Those were the days. Tapes instead of CDR.
Anyway, I still praise Dystopia as one of the very best bands ever. Their take on punk, metal, hardcore, doom and sludge is truly unique, and their misanthropic message is something I can wholeheartly agree with. The lyrics, music and artwork all work very well together, and for once it all seems for real: an honest fuck off spat in the face of humanity.
In 2008 they released their third and final album, simply entitled Dystopia. Maybe not as good as their previous efforts, but still way ahead of most scumbags out there. I witnessed them live two times and they fucking slayed! They were way ahead of us all.

Here are three songs for you to worship:

Hands That Mold
– taken from the Human = Garbage CD (1994, Life Is Abuse/Misanthropic/Common Cause)
Socialized Death Sentence – taken from The Aftermath CD (1997, Life Is Abuse/Misanthropic/Crawlspace)
Leaning With Intent To Fall – taken from the Dystopia LP (2008, Life Is Abuse)

Please read the lyrics as well.

Hands That Mold

hands that kill mold illusions of peace
their fucked up pseudo security
destroy to give birth to technology
to quicken the killing of you and me and him and her

blind – us humans think we are so smart

creating challenges
now – our sky bleeds in our hands
it’s nothing

build and build and build some more
industry fucks nature like some kind of whore
quest for invention, intelligence gone too far
synthetic environment, we’re doomed from the start

and I guess we’re all gonna die (my home)

and take everything under the sky (is nothing… to you)

skies they bleed, infecting the land
oceans they vomit onto the sand
wind so foul, a putrid reek
animals they scream in disbelief

and I guess we’re all gonna die (our lives)

and take everything under the sky (are nothing… just used)

humanicide
humanicide

black trees, dead seeds, dirt weeds
how much longer do we have?
humanicide
human beings should have never evolved at all

your heart… your heart as cold as the concrete that
you lay
your mind… clouded with the pollution that you make

hide… lies… from all of us, the ones you have chosen to die
smother our earth, blacken our skies
your quest for progress, convenient demise

man… kind… to whom are you kind
the peace that you mold is a lie, a lie, all lies
our lives float rejected down the stream
they are nothing, not you or me

Socialized Death Sentence

I am just a fucking slave
bust my ass for minimum wage
before I’m paid, the system comes and takes half away…
for bombs someday
my boss hates my fucking guts
I was never good enough
if I’m injured on the job
he’ll say tough luck
he’ll find someone else to fuck

my job… my life

landlords pissed, rent is due
haven’t worked in a few
if I don’t pay I get evicted
I’m fucking screwed
what am I suppose to do

each day… I die

your….. your job sucks
the system fucks
a timeclock head…I’m dead
employed… mind void
destroyed… can’t avoid

I try… to survive
…losing…

work work
socialized death sentence
system system
fucked all around
work work
like taking cyanide
system system
washing it down…

and I die again tomorrow…
when I wake up

Leaning With Intent To Fall

Another friend found dead in the street
A painful death of self-defeat
The reaper killed by the seeds that were sown
Another mother destined to be alone

See the world through sunken eyes

Infected soul, infected brain
Feel your flesh turn stone cold
And endless downward spiral of misery and pain is what remains

You used to do that shit for fun
A steady march of slow death
With no intention of turning back
Feel the pleasure, you taste the pain
Getting high just to get sick again

You don’t seem to be having much fun
Wake up, wake up from this lucid dream
Nightmares, nightmares are what the future brings

See your spirit fly with the angels
Fall from the heavens
Fall through your fingers

You say you’re hurting? I’m hurting too
Am I to love you? I hate the things you do
You say it’s over. you say you’re sober
You’re fucking clean
And then you fucking O.D.?

So you chose to take your life away
Suicide is an easier way

See the world through sunken eyes

We tried to change the path you were on
Feel your flesh turn stone cold
A night alone. a spoon, a needle in the arm, and now you’re gone.

Can you climb out of this hole that you’ve dug?
I wish I could help you but I can’t

Watching through my eyes is misery

Dying in your eyes, that’s all I see

See your shadow fall from heavens
Fall through your fingers
Fade into nothing

This is Hands That Mold performed live in 2002.

>Royal Till Death – A skate video

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Royal Till Death from cryptogamic on Vimeo.

Every spring I feel the urge for skateboarding. 15 years of that makes you hooked for life it seems.
What got me going this time was this cool video I found. It demonstrates how damn good the skate videogame from Electronic Arts really is. The Tony Hawk games can suck my ass – skate is the real deal. And speaking of real, that’s what I enjoy most with this game; it’s so realistic it’s almost stupid. And this video, probably done by real skateboarders, shows that. I just love the clean cool lines here, and I firmly believe you have to be a skateboarder to appreciate this game to the max. It’s as hard as real life skateboarding, I kid you not. If I hadn’t been sick this very day I would have been out the door skateboarding until night falls. Guess I’ll have to stay inside and play this awesome game instead… As real as it gets, until skate 2 hits the stores.

Nostalgia: