Category Archives: art

>Watchmen – Illuminating reality

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Yeah, you know, that old graphic novel (i.e. comic book) by Alan Moore (writer) and Dave Gibbons (illustrator) which is now being adapted to the screen. I love that comic. It’s kind of Ny Moral in a nutshell.

Because to me Watchmen is about the delusion and condemnation of humanity. It’s about what happens when we abuse power and responsibility, when ”soft-spoken” fascism dictates the rules of everyday life. When people who think they know what’s best for you tell you what to do. It’s about what needs to be done to save humanity. And it asks two questions:
Who watches the watchmen?
Does the end justify the means?
The solution to humanity is rather dystopic and misanthropic, I’d say.

When Alan Moore unleashed Watchmen in 1986/87 he created a whole new way of looking at comics. All of a sudden comics where of literary value. When TIME Magazine picked the 100 best English-language novels from 1923 to the present, Watchmen was right up there alongside The Catcher in The Rye (J.D. Salinger), Catch-22 (Joseph Heller), 1984 (George Orwell), Blood Meridian (Cormac McCarthy), Tropic of Cancer (Henry Miller), A Clockwork Orange (Anthony Burgess), Lord of The Flies (William Golding), Gravity’s Rainbow (Thomas Pynchon), Slaughterhouse Five (Kurt Vonnegut), The Grapes of Wrath (John Steinbeck) – to name my personal favourites – and other novels by William Burroughs, Doris Lessing, J.R.R. Tolkien, Ernest Hemingway, Salman Rushdie, Virginia Woolf, Graham Greene, Toni Morrison… The list goes on. Watchmen is also the only graphic novel to win a Hugo Award. All this elite stuff is almost hard to believe, but when reading Watchmen you’ll understand. Or else, in a fascist kind of way, they will make you understand, with the help of the written word, commercials, money, capitalism, corruption, chaos – a maximum overload of information. That’s how it works. But constantly being told what to do raises scepticism amongst individuals, and anti-authority works both ways; some like it, some don’t.

Watchmen thrives on the complexities of life, of being human, and adds to that the odd twist of what it would be like if superheroes – or rather masked ” heroes”, devoid of supernatural powers (Dr. Manhattan excluded), acting as vigilantes – really existed in our modern world. What if God all of a sudden walked the Earth? ”Shall not the Judge of all the earth do right?”, quoted from Genesis chapter 18, verse 25.
Obviously, it’s not that easy.
What Moore does is that he gives coherence to these complexities. In his own words: ”it is possible to think about politics, history, mythology, architecture, murder and the rest of it all at the same time to see how it connects”.


Catching up on Alan Moore, and watching The Mindscape of Alan Moore DVD (watch it here!), I find I really like this guy. Check out what he says about information in this great interview:

Information is funny stuff. In some of the science magazines I read, I’ve found it described as an actual substance that underlies the entirety of existence, as something that is more fundamental than the four fundamental physical forces: gravity, electromagnetism and the two nuclear forces. I think they’ve referred to it as a super-weird substance. Now, obviously, information shapes and determines our lives and the way we live them, yet it is completely invisible and undetectable. It has no actual form; you can only see its effects. Information is a kind of heat. I would suggest that as our society accumulates information, from its hunter-gatherer origins to the complexities of our present day, it raises the cultural temperature.
I feel that we may be approaching a cultural boiling point. I’m not saying this is a good thing or a bad thing; I really don’t know because I can’t imagine it, quite frankly. But I think we may be approaching the point at which the amount of information we are taking becomes exponential, and I’m not entirely certain what kind of human culture will exist beyond that point. Except it will happen sooner than we expect, and the difference between us and the kind of people that will exist after such an event will be vastly different than the difference between us and the hunter-gatherer society we’ve evolved from.

You’re saying we might not be able to recognize human beings of the future that well.

Yeah, it could be a quantum leap, a sudden, massive and unprecedented leap. Boiling point is a good analogy, because what you have before that stage is water. What you have after it is something that does not behave at all like water; it’s a completely different substance altogether. And that’s what I see looming for society — and it’s probably necessary, probably inevitable, probably scary. That’s my prognosis. I suppose, as an artist, one of the obligations upon my work is to try and prepare people for the more complex world, to try and make it more palatable and accessible to them and not quite so frightening. That would seem to be a worthy goal, illuminating reality.

On another note: As for the nobel prize in literature I’d suggest we give it to Cormac McCarthy. Or Iain Sinclair. Or why not Alan Moore? But maybe it would do them and the fans more bad than good, so let’s not make it complicated.

PS. If you’re really interested in Watchmen, you should check out The Annotated Watchmen!
And here’s a Watchmen Wiki
And this blog post pretty much concludes that Rorschach is a Jew…
As you can see, we’re dealing with information overload here as well.

And as for the movies, From Hell, The League of Extraordinary Gentlemen, V For Vendetta and Watchmen, here’s Alan Moore talking about his disgust for Hollywood, stating clearly that the comics ”were written to be impossible to reproduce in terms of cinema”. He obviously hates them all.

>Graffiti – Art Crime – Hardcore tagging

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BLAZE

And now for the part of graffiti that the majority of people hate the most, and that I – of course – love the most: TAGS! I was about to write something pretentious about the beauty and individuality of the tag, when I found German writer REW had done just that in the magnificent book Writing – Urban Calligraphy and Beyond, so I just copied parts of his text…
Watch the videos, check the pictures (click on them for larger size) and read his writings. Give it a try. There’s more than meets the eye.

…to the majority of people, who hardly ever think about this aspect or simply don’t understand it, the shapes and histories of tags mean absolutely nothing, least of all appeal to them. ”I enjoy those large, vidid images! But I don’t see the point of the small, black scribbles on the wall. Those are ugly!” Sound familiar?
[…]
I should point out that there will always be people who, even if they are familiar with the subject of tags, simply don’t like their aesthetics and would rather see a pristine wall. These people get extremely upset when it gets ”soiled” again. This is a topic that should be considered in a different discussion on property and personal values. I would like to talk about the tag itself instead, its form and its essence. I’d like to talk about the fact that a tag is very different from banal ”smears” such as a few random brushstrokes in a room that’s about to be repainted anyway. Tags are the result of very specific needs that have accompanied humanity for thousands of years. Tags are about spreading a message, about drawing attention to something.
[…]
No matter if 74,000 posters all over the city shout out that a new Volvo is finally available, or if Peter lets Maria know that he has fallen for her on the wall that’s on her way to school, or if a writer leaves his tag at representative locations – the parallels are obvious. Especially when it comes to writing, there are a number of different reasons for tagging. The most obvious one is fame and recognition from simply generating as many tags as possible at many conspicuous locations in different parts of a city or districts. Another big motivation for tagging, and this aspect I’d like to emphasize here, is working with different styles!
In addition to spreading their own name, there are some writers who place a lot of importance on the form and the individual style of a tag. This might be about how an ”R” or an ”S” should be shaped, what the ideal proportions are, if it would look better broad and long or slim and tall, if a certain line of a letter should be long or short, if it should be round and curved or straight and angular, if the transition between the letters should be gradual or distinctly separate, or which, if any, further elements or other ornaments should appear next to the tag. Such criteria and viewpoints are used to define and measure the quality of your own tags and those of other writers.
Based on this, it is easy to see and understand that not each and every one, but a large number of the tags we encounter in the streets (and fortunately every once in a while still on trains) possess individuality and beauty as defined by the studied commitment to the task and the constant evolution of an individual, stylish tag honed by years of practice.


OXBOE


DELTA ONE


ZASD (onelines where the pen never leaves the surface)


Alphabet by ZASD


Alphabet by AKIM


BABBO

But then again, sometimes it’s all about All Out Destruction…

>Graffiti – Art Crime – Hardcore throw-ups

>If you dislike this hardcore post but enjoy the softcore post, bear in mind that the stuff featured in both posts are equally illegal. Seems like it’s mostly a matter of taste and understanding, right?

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Before we check the throw-ups, let’s celebrate 20 years of VIM hardcore action. Yes, I believe this legendary Swedish crew has been around for 20 years now. Truly unbelievable!
This clip demonstrates their top notch style. It’s cut from the Friendly Fire movie released in 2005.

And now, enjoy the throw-ups! The clips are rough cuts from the State Your Name movie. The pics are from all over the place.

>Graffiti – Art Crime – Softcore

>This is the kind of graffiti/street art that even the average dork usually appreciates. Why? Because the dorks can relate to this stuff, because they understand (kind of) what’s going on, and then – all of a sudden – that kind of graffiti is acceptable to these dorks. Of course, that’s just a normal dork reaction and you should be free to feel that way… You’re still a dork, though.

The next graffiti post will focus on tags and hardcore stuff that the dorks don’t get at all and thus they immediately start raving about how graffiti should be stopped because it all looks the same, it’s ugly, linear and destructive. The problem here usually is that the dorks don’t understand how to draw a tag, how to build a piece and what it’s like doing that stuff in the dark – with the police constantly breathing down your neck. Tags and throw-ups obviously looks like shit to them, because they don’t get the picture.
That’s what I think bothers people the most about graffiti. They don’t get it and it’s in their face.

I guess I’m just tired of those lazy hypocritical bastards who always complain, but never make an effort. Now for the softcore stuff. Hope you like it! And don’t forget to check the video at the end of this post.

All photos stolen from the Fat Cap site. Please go there.



And here’s a pretty cool video, a wall-painted animation.