Category Archives: movies

>The best movies 2008

>This list will feature some films that were originally released in 2007.
Explanation: This is Sweden, the Northern hemisphere of everything cold and damp, and we’re still a bit behind. For example, Tropa de Elite premiered in Rio De Janeiro in August 2007 and reached Sweden one year later. No wonder those who take serious interest in movies and want to take part in the worldwide discussions on internet forums and elsewhere resort to illegal downloading…

There are two Swedish films I haven’t seen yet, De ofrivilliga (Involuntary) och Låt den rätte komma in (Let the Right One In). I think Gitarrmongot (The Guitar Mongoloid), Ruben Östlund’s first full-lenght feature, is one of the best Swedish films ever (one day I’ll write about Swedish films exclusively), and I love John Ajvide Lindqvist’s debut book and have heard only good things about the movie, so I’m sure both films would have been featured on this list if I’d seen them.
As for The Dark Knight, well, it’s an ok movie. Very overrated, though. Heath Ledger (R.I.P.) was amazing as The Joker, but that alone doesn’t make a good movie. And yes, I enjoyed the total mindlessness of Rambo a lot!
As for the amount of worthless or just anonymous movies I’ve watched thoughout the year… Well, I’ll spare you the hate and leave you happy not knowing what junk there is out there (Tropic Thunder and its’ fans, please fuck forever off…).

Me and a friend ran the Östasiatiska Museets Filmklubb for several years, showing movies from the Far East (China, Korea and Japan), but also from India and Southeast Asia. Since the downfall of that club I got sort of tired of those kind of movies and haven’t really been updated there. The Warlords reminded me of how mesmerizing Asian movies can be when that very special Asian humour is left out. The scenery is fantastic (so many bodies…), like an epic war poem, or a painting brought to life. As always, the fight scenes are superior to everything Hollywood has ever accomplished. And Jet Li looks old, which is cool.
Speaking of Asian movies, I still haven’t seen Lust, Caution. I’ve heard some good words about the sex scenes in that one.

If you had to chose only one or two (ok, three then) films from the list below, I suggest There Will Be Blood, Into The Wild and Eden Lake. Here’s why:
Eden Lake made my pulse rise, it made me cringe in my seat. Very few horror movies have that effect on me nowadays. The psychological horror is mixed with blood and comes full circle: it’s scary. And let’s face it, children are as evil as adults. There’s no escaping the human madness.
Into The Wild made me cry, think about my family and planted thoughts of relevance in my mind. I wrote about that in a previous post entitled Into The Wild and the ego. It’s got an amazing soundtrack as well. Very good lyrics and music on that one.
There Will Be Blood… wow! It’s about life, misanthropy, belief, cause and effect. It’s subtle, but still epic. Last year I was blown away by No Country for Old Men. This year it’s There Will Be Blood. Both of these films have a faint relationship to the Southern Gothic genre. Guess I enjoy disturbing characters who say cool stuff like There are times when I look at people and I see nothing worth liking and I… drink…your…milkshake.
However, all ten films are well worth watching.


There Will Be Blood


Into The Wild


Frozen River


Changeling


Eden Lake


Vicky Cristina Barcelona


Tropa de Elite


[REC] (avoid the American remake! Watch the Spanish original.)


The Wrestler


The Warlords

Last year’s list for the statistically impaired.

>Wojciech Kilar, Dracula and Coppola

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I condemn you to living death. To eternal hunger for living blood.

Polish composer Wojciech Kilar made me do it. I believe his soundtrack to Francis Ford Coppola‘s amazing movie Bram Stoker’s Dracula (1992) is what got me interested in classical music in the first place, the kind that spawns darkness, uneasiness and black magick. As with the film, the music is a Wagner-esque operatic epic love story, spanning continents and centuries. The dark and brooding chords mixed with the voices of the damned sets the tone already at the beginning of the film – this is the renunciation of God accompanied by the sounds of the undead avenger. It’s nothing but a musical masterpiece.

Bram Stoker’s Dracula is often ridiculed for being overdramatic, and in a way that’s completely true, but what a lot of people don’t seem to understand is that it was purposefully created that way as a homage to the old and grand. This is Coppola’s interpretation. The acting is big, the music is big, the sets and costumes are big – this is opera in the flesh, and it all fits perfectly together. While Werner Herzog‘s Dracula, Nosferatu: Phantom der Nacht (1979), is more ”on location”, Coppola chooses a stage. This is highly noticeable in the theatrical dialogue as well.

She lives beyond the grace of God, a wanderer in the outer darkness. She is “vampyr”, “nosferatu”. […] We are dealing with forces beyond all human experience, and enormous power. So guard her well. Otherwise, your precious Lucy will become a bitch of the Devil! A whore of darkness! […] Hear me out, young man. Lucy is not a random victim, attacked by mere accident, you understand? No. She is a willing recruit, a breathless follower, a wanton follower. I dare say, a devoted disciple. She is the Devil’s concubine!

As for the special effects: if you know your film history you’ll be amazed. Coppola, with his son Roman Coppola and effects legend Michael Lantieri, uses classical film techniques to create the unique effects – optical matting, reverse shooting, lighting transitions. You name it, it’s all there. Jonathan Harker’s first travelling sequence is the first of many complex time transition sequences that breath life into what otherwise would have been some dead looking CGI effect. Darren Aronofsky – whose acclaimed new film The Wrestler is showing at the Stockholm Film Festival right now – did pretty much the same thing in The Fountain (2006), and it’s equally fantastic. Organic instead of plastic. Read more about the effects here, and check the In Camera: The Naïve Visual Effects of Bram Stoker’s Dracula feature on the special edition DVD/Bluray.

Had it not been for the stiff acting of Keanu Reeves and Winona Ryder (some people claim that was done on purpose as well, but I still haven’t found anything from Coppola saying so), and some lagging in the second act – the love story with Mina and Dracula, as well as the not so impressive ending, I would rate this film 10/10. Now I’ll go for 8/10. As for the music, there’s no doubt: 10/10 all the way.
There is a special concert version of the soundtrack available on The Pirate Bay, described as an attempt to ”arrange the music in a form which one might hear in a symphonic concert setting rather than as action accompaniment. It is a single movement, much like the tone poems of Liszt, Tchaikovsky, or Rachmaninoff (Isle of the Dead), just to name a few. The emphasis is on a coherent musical narrative, offering a compelling listening experience without any reference to action in the film.”
Download the special version here.
Download the original soundtrack here.

Listen to the opening theme (the best audio quality I could find):

>Zeitgeist – Addendum (now online!)

>

Part Four of the highly debated movie Zeitgeist is out, and thinking about the great financial crisis the world is facing right now it should definitely be an eye-opener. The movies try to communicate those very important social understandings which most people are generally not aware of; for indeed, this is a sick society.

The first film, Zeitgeist, focuses on suppressed historical and modern information about currently dominant social institutions, while also exploring what could be in store for humanity if the power structures at large continue their patterns of self-interest, corruption, and power consolidation.

The second film, Zeitgeist: Addendum, attempts to locate the root causes of this pervasive social corruption, while offering a solution. This solution is not based on politics, morality, laws, or any other “establishment” notions of human affairs, but rather on a modern, non-superstitious based understanding of what we are and how we align with nature, to which we are a part.

In case you missed the first film, watch it here:

>Watchmen – Illuminating reality

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Yeah, you know, that old graphic novel (i.e. comic book) by Alan Moore (writer) and Dave Gibbons (illustrator) which is now being adapted to the screen. I love that comic. It’s kind of Ny Moral in a nutshell.

Because to me Watchmen is about the delusion and condemnation of humanity. It’s about what happens when we abuse power and responsibility, when ”soft-spoken” fascism dictates the rules of everyday life. When people who think they know what’s best for you tell you what to do. It’s about what needs to be done to save humanity. And it asks two questions:
Who watches the watchmen?
Does the end justify the means?
The solution to humanity is rather dystopic and misanthropic, I’d say.

When Alan Moore unleashed Watchmen in 1986/87 he created a whole new way of looking at comics. All of a sudden comics where of literary value. When TIME Magazine picked the 100 best English-language novels from 1923 to the present, Watchmen was right up there alongside The Catcher in The Rye (J.D. Salinger), Catch-22 (Joseph Heller), 1984 (George Orwell), Blood Meridian (Cormac McCarthy), Tropic of Cancer (Henry Miller), A Clockwork Orange (Anthony Burgess), Lord of The Flies (William Golding), Gravity’s Rainbow (Thomas Pynchon), Slaughterhouse Five (Kurt Vonnegut), The Grapes of Wrath (John Steinbeck) – to name my personal favourites – and other novels by William Burroughs, Doris Lessing, J.R.R. Tolkien, Ernest Hemingway, Salman Rushdie, Virginia Woolf, Graham Greene, Toni Morrison… The list goes on. Watchmen is also the only graphic novel to win a Hugo Award. All this elite stuff is almost hard to believe, but when reading Watchmen you’ll understand. Or else, in a fascist kind of way, they will make you understand, with the help of the written word, commercials, money, capitalism, corruption, chaos – a maximum overload of information. That’s how it works. But constantly being told what to do raises scepticism amongst individuals, and anti-authority works both ways; some like it, some don’t.

Watchmen thrives on the complexities of life, of being human, and adds to that the odd twist of what it would be like if superheroes – or rather masked ” heroes”, devoid of supernatural powers (Dr. Manhattan excluded), acting as vigilantes – really existed in our modern world. What if God all of a sudden walked the Earth? ”Shall not the Judge of all the earth do right?”, quoted from Genesis chapter 18, verse 25.
Obviously, it’s not that easy.
What Moore does is that he gives coherence to these complexities. In his own words: ”it is possible to think about politics, history, mythology, architecture, murder and the rest of it all at the same time to see how it connects”.


Catching up on Alan Moore, and watching The Mindscape of Alan Moore DVD (watch it here!), I find I really like this guy. Check out what he says about information in this great interview:

Information is funny stuff. In some of the science magazines I read, I’ve found it described as an actual substance that underlies the entirety of existence, as something that is more fundamental than the four fundamental physical forces: gravity, electromagnetism and the two nuclear forces. I think they’ve referred to it as a super-weird substance. Now, obviously, information shapes and determines our lives and the way we live them, yet it is completely invisible and undetectable. It has no actual form; you can only see its effects. Information is a kind of heat. I would suggest that as our society accumulates information, from its hunter-gatherer origins to the complexities of our present day, it raises the cultural temperature.
I feel that we may be approaching a cultural boiling point. I’m not saying this is a good thing or a bad thing; I really don’t know because I can’t imagine it, quite frankly. But I think we may be approaching the point at which the amount of information we are taking becomes exponential, and I’m not entirely certain what kind of human culture will exist beyond that point. Except it will happen sooner than we expect, and the difference between us and the kind of people that will exist after such an event will be vastly different than the difference between us and the hunter-gatherer society we’ve evolved from.

You’re saying we might not be able to recognize human beings of the future that well.

Yeah, it could be a quantum leap, a sudden, massive and unprecedented leap. Boiling point is a good analogy, because what you have before that stage is water. What you have after it is something that does not behave at all like water; it’s a completely different substance altogether. And that’s what I see looming for society — and it’s probably necessary, probably inevitable, probably scary. That’s my prognosis. I suppose, as an artist, one of the obligations upon my work is to try and prepare people for the more complex world, to try and make it more palatable and accessible to them and not quite so frightening. That would seem to be a worthy goal, illuminating reality.

On another note: As for the nobel prize in literature I’d suggest we give it to Cormac McCarthy. Or Iain Sinclair. Or why not Alan Moore? But maybe it would do them and the fans more bad than good, so let’s not make it complicated.

PS. If you’re really interested in Watchmen, you should check out The Annotated Watchmen!
And here’s a Watchmen Wiki
And this blog post pretty much concludes that Rorschach is a Jew…
As you can see, we’re dealing with information overload here as well.

And as for the movies, From Hell, The League of Extraordinary Gentlemen, V For Vendetta and Watchmen, here’s Alan Moore talking about his disgust for Hollywood, stating clearly that the comics ”were written to be impossible to reproduce in terms of cinema”. He obviously hates them all.

>Zeitgeist – Addendum

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1. Mathematics is the language of nature
2. Everything around us can be represented and understood through numbers
3. If you graph the numbers of any system, patterns emerge. Therefore, there are patterns everywhere in nature. So what about the stock market…
My hypothesis, within the stock market there is a pattern, right in front of me…
Max Cohen, Pi

Zeitgeist – Addendum is released for free online Oct. 3, 2008.

>Fabled Enemies – A new documentary about 9/11

>Yet another conspiracy theory? You decide.

This is how the film is presented:

Rather than focusing on the physical anomalies at the World Trade Center and Pentagon, this film follows the intelligence ties of Osama Bin Laden, the alleged hijackers, and those who were actually detained on 9/11…

The movie delves deeply into the roles of seperate Nations that were involved in supporting the 9/11 attacks. From Israel to Saudi Arabia to Pakistan, and even the United States itself, no one is spared in this scathing expose that pulls no punches. Sit back and get ready to learn how members of the FBI had their investigations into Bin Laden obstructed and shut down, how the hijackers were trained at US bases, that military drills crippled our defense and facilitated the attacks, how the Shadow Government was actually activated that day, and much much more…

Join Alex Jones Productions and Jason Bermas, one of the creators of Loose Change, in his directorial debut on September 1st , as he loads new ammo for the Infowar…”

>Zeitgeist – The movie / Remastered Final Edition

>I stumbled upon a guy this afternoon who had not seen Zeitgeist (go here for sources, subtitles and additional info). You may download it here (yes, it’s legal!). It’s a must see for everyone. Below is the remastered final edition, two hours of the most interesting conspiracy theories ever put on tape. Watch, digest and explore.

“It is my hope that people will not take what is said in the film as the truth, but find out for themselves, for truth is not told, it is realized.”

In my opinion this movie is about making a choice: Do you want to live your life through the eyes of someone else, or do you want to think for yourself? Question everything (Zeitgeist included, of course).

This YouTube channel has a bunch of interviews with the producer of Zeitgeist, Peter Joseph.