Category Archives: literature

>The world itself

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I dont regard my state of mind as some pessimistic view of the world.
I regard it as the world itself.
Evolution cannot avoid bringing intelligent life ultimately to an awareness of one thing above all else and that one thing is futility.

Cormac McCarthy’s play (which some people believe reads more like a novel) has been called “a poem in celebration of death”. I have yet to put my hands on anything by McCarthy that is nothing short of amazing, and The Sunset Limited is no exception.

However, I don’t find this play to be such an awesome literary experience as compared to Blood Meridian, for example, and that’s quite obvious since this is a play. Here is no Cormac painting pictures in your mind, here is none of that superb prose you’re used to, but here are these two men talking about the meaning and the meaninglessness of life, death, God, faith and other fairly intangible ideas, and that’s about it.

I didn’t know about this play until I found out about the movie adaptation. Starring Tommy Lee Jones as White and Samuel L. Jackson as Black, this is one tough battle for the human soul. In a way, these two dudes represent two extremes, and also, to be honest, two stereotypes. At least that’s what I make out of it. The black man being an ex-prisoner, a murderer, who found God in jail, and the white man being a professor and an atheist. That’s pretty stereotype, isn’t it? So, at times, the dialogue gets pathetic.

Black relies entirely on his faith in the Bible and White believes in Culture. Or believed, rather. Because apparently, White just tried to commit suicide. He has lost his faith in Culture and the human condition: “The things I believe in don’t exist anymore”. White has awoken to the real world around him, and the real world is evil. Interpreting the play in this way, I find it superb. It’s pretty much what I’ve been trying to say all along. Thus, I can cope with some parts being rather simple-minded.

I yearn for the darkness. I pray for death. Real death. If I thought that in death I would meet the people I’ve known in life I don’t know what I’d do. That would be the ultimate horror. The ultimate despair. If I had to meet my mother again and start all of that all over, only this time without the prospect of death to look forward to?
Well. That would be the final nightmare. Kafka on wheels.

This is Cormac McCarthy without the surrounding mythos and tension and atmosphere. Also, he has left the territories he knows best: man in nature, the nature of the beast, the nature of man. A lot of true critics say he’s not working as well without the atmosphere and stuff, but I say fuck that shit… Sure, I’m a fanboy, and highly biased, but I think my mind is clear enough to say that this is some pretty good dope for the soul. The subjects he’s dealing with are pretty much the same as always, although in a more accepted way, so to speak. I think this dialogue speaks to more people than Blood Meridian, for example. The Sunset Limited is straight to the point, while Blood Meridian is almost occult and obscure in perspective. 

As for the movie VS the play, I’d say I enjoyed the movie more (despite the bad editing). Maybe because I’m not used to reading plays and all, and I really like the acting of Tommy Lee Jones and Samuel Jackson.
As always, you decide.

Show me a religion that prepares one for death. For nothingness.
There’s a church I might enter.

>My work is not yet done / Stand for Mr. H.P. Lovecraft

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I don’t know why you keep returning to this blog since I rarely update anylonger, but about 150 unique visits a day must mean something. Are you morbid?
I will try to awaken this site for real, but the time is not yet right. Hopefully I’ll be able to write at least a couple of articles every month if all goes as planned, but don’t expect that to happen in a near future, though. Everyday life tends to get in the way of everyday hate…

On December 5 2006 I wrote this in my very first post:
”You may come to hate me for what I write because it may challenge your mind and what you believe is true”.
Sounds like something out of the X-Files, but truth is, I’ve received quite a lot of strange anonymous e-mails from hateful sionist weaklings over the years. None of them ever cared for an open debate. That’s how they uphold their lies, by lurking in the shadows. Facts can never be anti-Semitic.

Anyway, just wanted to post this to let all you freaks who keep returning to this hollow shell know that my work here is not yet done.
I’m coming back. I will return. And I’ll possess your body and I’ll make you burn.
Now Lovecraft.

‘Those who love life do not read. Nor do they go to the movies, actually. No matter what might be said, access to the artistic universe is more or less entirely the preserve of those who are a little fed up with the world.’

Time and time again I praise this magnificent essay, Against the World, Against Life, written by Michel Houellebecq. However, it seems like it’s hard to get a hold of the Swedish translation. The essay is too good not to be read, so in order for you to worship I’ll at least give you the English copy in all its PDF glory. Enjoy!
Download here.

By the way, one possible anagram for ”The meaning of life” is ”The fine game of nil”.

>A need to discover the dark

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The world of the occult and the obscure, the hidden and the haunted… It might just be a load of bollocks to most, but to me it represents the inner cravings of the human psyche. A need to discover the dark, as Jon Nödtveidt once put it.

The human mind and the core of humanity is reflected in the darkness of man, and this is what’s of interest to those who seek beyond the everyday boredom of life. If you fear the unknown, you probably prefer television before the secrets of the black arts…
Or simply put: Fantasy is more interesting than reality.

But ok, most of the writings on the left hand path are a load of bollocks. It’s pretty much new age crap. Lame as fuck. At least that’s my opinion having read or skimmed through quite a bunch of books on the subject.

However, bollocks or not, some of the texts below makes my mind wander when all hope is gone – and that’s all I crave. It’s like reading a good book of fiction. That’s how I look at most things I read. Reading academic stuff like an academic takes the fun out of reading. Most importantly, the mind must awaken and the soul must be touched, or else I could do with whatever shallow shit that’s on TV at any given moment.

So here are a bunch of basic works that I’ve found interesting in many ways. If you’re into the imagery and lyrics of the occult metal scene, you should definitely take notice.

The Egyptian Book of the Dead
The Psychedelic Experience – A manual based on the Tibetan Book of the Dead by Timothy Leary
An essay about the Tibetan Book of the Dead by Annie Shapiro
The Kaballah Unveiled
Dhammapada
The Art and Meaning of Magic (contains the Iron Maiden quotes “I Am He! The Bornless One!”)
The Doors of Perception by Aldous Huxley
The Magical Revival
The Lives of the Necromancers

For deeper dwelling I highly recommend The Doctrine of Awakening by Julius Evola. It just might deserve its own article… We’ll see about that.

Related posts about religion:
The meaning of the curse
Belief and Bloodshed: The Religion of Genocide
The Louse of Holy Name
Jehova, Christ, Lucifer and Satan
Religion and its influence on society
DSO – Obedience to the point of death
Prayin’ hard – Jim Goad
Show me a man who is good
Nietzsche – Revalutation of all values!

>The Generous Gambler by Charles Baudelaire

>Yesterday, across the crowd of the boulevard, I found myself touched by a mysterious Being I had always desired to know, and whom I recognized immediately, in spite of the fact that I had never seen him. He had, I imagined, in himself, relatively as to me, a similar desire, for he gave me, in passing, so significant a sign in his eyes that I hastened to obey him. I followed him attentively, and soon I descended behind him into a subterranean dwelling, astonishing to me as a vision, where shone a luxury of which none of the actual houses in Paris could give me an approximate example. It seemed to me singular that I had passed so often that prodigious retreat without having discovered the entrance. There reigned an exquisite, an almost stifling atmosphere, which made one forget almost instantaneously all the fastidious horrors of life; there I breathed a somber sensuality, like that of opium smokers when, set on the shore of an enchanted island over which shone an eternal afternoon, they felt born in them, to the soothing sounds of melodious cascades, the desire of never again seeing their households, their women, their children, and of never again being tossed on the decks of ships by storms.

Jacopo Caraglio, Italy, probably between 1520 to 1539.

There were there strange faces of men and women, gifted with so fatal a beauty that I seemed to have seen them years ago and in countries which I failed to remember and which inspired in me that curious sympathy and that equally curious sense of fear that I usually discover in unknown aspects. If I wanted to define in some fashion or other the singular expression of their eyes, I would say that never had I seen such magic radiance more energetically expressing the horror of ennui and of desire—of the immortal desire of feeling themselves alive.

As for mine host and myself, we were already, as we sat down, as perfect friends as if we had always known each other. We drank immeasurably of all sorts of extraordinary wines, and—a thing not less bizarre—it seemed to me, after several hours, that I was no more intoxicated than he was.

However, gambling, this superhuman pleasure, had cut, at various intervals, our copious libations, and I ought to say that I had gained and lost my soul, as we were playing, with a heroic carelessness and lightheartedness. The soul is so invisible a thing, often useless and sometimes so troublesome, that I did not experience, as to this loss, more than that kind of emotion I might have, had I lost my visiting card in the street.

We spent hours in smoking cigars, whose incomparable savor and perfume give to the soul the nostalgia of unknown delights and sights, and, intoxicated by all these spiced sauces, I dared, in an access of familiarity which did not seem to displease him, to cry, as I lifted a glass filled to the brim with wine: “To your immortal health, old he-goat!”

We talked of the universe, of its creation and of its future destruction; of the leading ideas of the century—that is to say, of progress and perfectibility—and, in general, of all kinds of human infatuations. On this subject His Highness was inexhaustible in his irrefutable jests, and he expressed himself with a splendor of diction and with a magnificence in drollery such as I have never found in any of the most famous conversationalists of our age. He explained to me the absurdity of different philosophies that had so far taken possession of men’s brains, and deigned even to take me in confidence in regard to certain fundamental principles, which I am not inclined to share with anyone.

He complained in no way of the evil reputation under which he lived, indeed, all over the world, and he assured me that he himself was of all living beings the most interested in the destruction of Superstition, and he avowed to me that he had been afraid, relatively as to his proper power, once only, and that was on the day when he had heard a preacher, more subtle than the rest of the human herd, cry in his pulpit: “My dear brethren, do not ever forget, when you hear the progress of lights praised, that the loveliest trick of the Devil is to persuade you that he does not exist!”

The memory of this famous orator brought us naturally on the subject of academies, and my strange host declared to me that he didn’t disdain, in many cases, to inspire the pens, the words, and the consciences of pedagogues, and that he almost always assisted in person, in spite of being invisible, at all the scientific meetings.

Encouraged by so much kindness, I asked him if he had any news of God—who has not his hours of impiety?—especially as the old friend of the Devil. He said to me, with a shade of unconcern united with a deeper shade of sadness: “We salute each other when we meet.” But, for the rest, he spoke in Hebrew.

It is uncertain if His Highness has ever given so long an audience to a simple mortal, and I feared to abuse it.

Finally, as the dark approached shivering, this famous personage, sung by so many poets and served by so many philosophers who work for his glory’s sake without being aware of it, said to me: “I want you to remember me always, and to prove to you that I—of whom one says so much evil—am often enough bon diable, to make use of one of your vulgar locutions. So as to make up for the irremediable loss that you have made of your soul, I shall give you back the stake you ought to have gained, if your fate had been fortunate—that is to say, the possibility of solacing and of conquering, during your whole life, this bizarre affection of ennui, which is the source of all your maladies and of all your miseries. Never a desire shall be formed by you that I will not aid you to realize; you will reign over your vulgar equals; money and gold and diamonds, fairy palaces, shall come to seek you and shall ask you to accept them without your having made the least effort to obtain them; you can change your abode as often as you like; you shall have in your power all sensualities without lassitude, in lands where the climate is always hot and where the women are as scented as the flowers.” With this he rose and said good-bye to me with a charming smile.

If it had not been for the shame of humiliating myself before so immense an assembly, I might have voluntarily fallen at the feet of this generous gambler, to thank him for his unheard of munificence. But little by little, after I had left him, an incurable defiance entered into me; I dared no longer believe in so prodigious a happiness, and as I went to bed, making over again my nightly prayer by means of all that remained in me in the matter of faith, I repeated in my slumber: “My God, my Lord, my God! Do let the Devil keep his word with me!”

THE END

>Scalped

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The American Indian reservations are the last chance for the survival of ancient traditions and ways of life. Yet the states drive Indians off their land (most of the Western Shoshoni people’s land, for example, was long ago confiscated for underground nuclear testing), claiming they can offer them a better life in the cities. However, the Indians will enter an American society where they will be cultureless people, bereft of just about everything.

The American Indians are forced to face a very old dilemma.

At the dawn of the fifteenth century, Spanish conquistadors and priests presented the Indians they encountered with a choice: either give up your religion, culture, land and independence, and swear allegiance to the Catholic Church, or suffer all the damage that the European invaders choose to inflict upon you.

To the conquering Spanish, the Indians were defined as natural slaves. Subhumans. That’s how they wanted to use them. The British and the Americans had little use for the Indians as slaves, so to justify their particular genocide they appealed to Christian sources of wisdom: the Indians were Satan’s helpers, they were murderous wild men of the forest, they were bears, wolves and vermin. They were beyond civil life. Hence, straightforward mass killing of the Indians was the only thing to do. They needed the land, not the humans.

Today is no different. The choice still stands: Surrender all hope of continued cultural integrity and effectively cease to exist as autonomous people and prepare yourself for even worse merciless inequality in our cities, or remain on the reservation and attempt to preserve your culture admist the wreckage of governmentally imposed poverty, hunger, ill health and the endless attempts of the state trying to rob you of your land.

The poverty rate on American Indian reservations in the United States is almost four times the national average. In Pine Ridge in South Dakota (where more than 60 percent of homes are without adequate plumbing, compared with barely 2 percent for the rest of the country) the poverty rate is nearly five times greater. The conditions on many reservations are no different from conditions that rule throughout the Third World.

The suicide rate for young Indian males and females aged 15 to 24 years is around 200 percent above the overall national rate for the same age group, while the rate for death caused by alcohol – another form of suicide – is more than 900 percent higher than the national figure!
American Holocaust.

This is the setting for Scalped, a grim graphic novel created by Jason Aaron and R.M. Guéra. As described on the back of the first volume, Indian Country: ”…a gripping mix of Sopranos-style organized-crime drama and current Native American culture”.

So, life and crime on ”The Rez”, then.

Dashiell Bad Horse ran away from poverty and despair on the Prairie Rose Indian Reservation (could very well be the above mentioned Pine Ridge) some fifteen years ago, and now he’s back, only to find that nothing has changed, except for ”the glimmering new casino and a once-proud people overcome by drugs and organized crime”. It is the eve of the opening of the casino. Welcome to violence.

It turns out that Dash is an undercover FBI agent, and he ends up infiltrating this web of criminality spun by tribal leader Lincoln Red Crow, a former ”Red Power” activist now turned crime boss and the most hated man on the rez, who before he ventured into the heart of darkness was the compatriate of Dash’s mother, Gina. How’s that for a complex and totally unruly sentence? Well, that’s how I felt about this multi-layered, uncomfortable and deeply gritty story in the first place. Unruly. At times I found it hard figuring out who was who, kind of like when I read Blood Meridian the first time. But it was worth the effort of hanging on.

Scalped has its fair share of people holding on to their many secrets, almost Twin Peaks-like, and as the back story is slowly being revealed I was deeply impressed. This is so much more than fights, trashy sex, Indian pride, split families, domestic abuse, mindless violence, scalpings, shootings, revenge, drugs, prostitution, racism, lies, sorrows, drinking and gambling. Much more. The hero and the villain are as crappy and dirty as the world they live in. Here is no peace. Only the lust for vengeance, flesh, profanity and power.

I cannot agree with the Sopranos comparison, though. Aaaron has stated he had The Wire in mind when creating Scalped, and that’s more like it. Like a mixture of Oz and The Wire, maybe. Deadwood? I haven’t even seen that series yet, so throw in some Frozen River and  Gomorrah, and that should do it for most of you.

>Life – A continuing story of survival horror

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The Walking Dead by Robert Kirkman is that famous graphic novel currently being adapted for the screen as a TV series produced by the same channel that gave us Mad Men and Breaking Bad. It’s directed by Frank Darabont (The Shawshank Redemption, The Green Mile), so I’m definitely psyched. The first shots look very promising.

But at first, I wasn’t that impressed with the novel. It isn’t original at all; it’s that same old story of one dude waking up all alone in a hospital creeping with zombies, finding his way to a camp of survivors, etc, etc… Very standard. And man, I never thought I’d enjoy a soap opera! Because that’s exactly what it is.

Kirkman states how he loves zombie movies, but hates their open endings. He always wanted to know where the characters went next, after the credits roll. That’s why – at this point, at least – the series is ongoing, pretty much stumbling on without an end. You might think it’ll get boring and repetitive, but having read the first four volumes (issue #1–48) I’m pretty impressed with the way things are going. In short, you’re up for a pretty dazzling post-apocalyptic zombie ritual soap opera.

Essentially, it all boils down to our basic human needs; breathing, eating, sleeping, fucking, exploiting, creating and destroying. It’s about our primal instincts and the reducing of humanity (yes, even among those that are alive – The walking dead are the survivors, in this sense). As the story unfolds and we get to know the characters, we’re in for some hefty relationship drama. And this is were the focus lies; on the ongoing building and shattering of relationships in times of hardship. This is about the people, not the monsters.

As this is pretty far from deep and rather filled to the brim with the most obvious cliches, I still like it. If I wanted deeper stuff, I’d probably go for Y – The Last Man instead. This is Zombie Lit,  and with that you also get the old fashioned sexist idiocy (which seems to be the very essence of the Lit genre…).  Compared to the complexity of Watchmen, for example, this reads more like Tom and Jerry. But as long as you know what to expect, I think it’s ok.

Art by Tony Moore

As for the art, we get some truly powerful, beautifully detailed illustrations of the most vicious gore. However, the art is far from consistent, which is a bit annoying. At times, it’s just splendid, like the larger panorama-like strips. But every now and then, I get the feeling the artist has been in a hurry. Also, there’s an artist change after the first six issues which makes it even more irritating. However, once you get past this moment of vexation, it’s pretty well executed. I’d like more of the details, though, like Glenn wearing Swollen Members- and Hieroglyphics shirts. Tony Moore, who did the first six issues and the cover art up until issue #24, is more into details, while Charlie Adlard, Moore’s successor, works in a more simplistic way. I like them both, though, even though I’d love to have every single strip as detailed as the cover below:

Cover art by Tony Moore

Cover art by Charlie Adlard

Yes, there’s a huge difference between Moore and Adlard, but as the series went on I kind of got to like Adlard’s stuff more and more. I find Adlard’s art to be a lot darker and straight to the point, even though Moore pays more attention to details. Dark is good.

>The meaning of the curse

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Cut off from the world, having broken with all his friends, he read me – with an almost indespensible Russian accent, given the situation – the beginning of the Book of Books. Reaching the moment where Adam gets himself expelled from paradise, he fell silent, dreamily staring into the distance while I thought to myself, more or less distinctly, that after millenia of false hopes, humanity, furious at having cheated, would finally receive the meaning of the curse and thereby make itself worthy of its first ancestor.

A flame traverses the blood.
To go over to the other side, circumventing death…

To withdraw indefinitely into oneself, like God after the six days.
Let us imitate Him, on this point at least.

Between Genesis and Apocalypse imposture reigns.
It is important to know this, for once assimilated, such dizzying evidence renders all formulas for wisdom superfluous.

Since our defects are not surface accidents but the very basis of our nature,
we cannot correct them without deforming that nature, without perverting it still more.

If the Hour of Disappointment were to sound for everyone at the same time,
we should see an entirely new version, either of paradise or of hell.

No fate to which I could have adjusted myself.
I was made to exist before my birth and after my death, not during my very existence.

I anticipated witnessing in my lifetime the disappearance of our species.
But the gods have been against me.